All Aboard the ARC: Glass Syndrome by Eiko Ariki

***Note: I received a free digital review copy from NetGalley in exchange for an honest review.***

Expected publication date: August 10th, 2021 by LOVE x LOVE

Review: Nijou is a Type A guy. He’s smart, popular, and athletic. As with a lot of Type A people, though, Nijou is a people-pleaser. He can’t say no in any context, especially when saying yes provides him with the kind of social capital he craves.

Toomi is the stereotypical boy from the wrong side of the tracks. He’s been missing a lot of school. His father has left him completely alone in the world, ostensibly due to some heavy gambling debts he’d rather avoid paying. To make ends meet, Toomi engages in survival sex work via his computer. He conceals his identity by presenting as female to paying clients.

A teacher concerned about Toomi’s welfare asks Nijou to check in on Toomi. Nijou does so because as we already know, he is incapable of saying no. We find out, however, that Nijou needs Toomi as much as Toomi needs him.

I won’t spoil the ending, but BL manga fans are sure to love Glass Syndrome. Even though the narrative was a bit muddled at times, overall it was an enjoyable read, and one I would recommend to my customers.

Rating: 4 out of 5 stars

Glass Syndrome is now available to order.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please follow, like, comment, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at thevoraciousbibliophile@yahoo.com or catch me on Twitter @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

All Aboard the ARC: Lugosi: The Rise and Fall of Hollywood’s Dracula by Koren Shadmi

***Note: I received a free digital review copy of this book from NetGalley in exchange for an honest review.***

There’s the likeness and the icon itself. The myth and the man behind it. We owe our modern conception of Dracula to Bela Lugosi, who donned the cape of the infamous bloodthirsty count in Tod Browning’s production of Dracula, which premiered in 1931, before the pearl-clutchers would focus their prudish crosshairs on the film industry in the form of the Hays Code, which forced studios to either veil or completely eliminate references to anything the aforementioned pearl-clutchers would consider morally reprehensible. Horror films were a natural target of the Code, so it is to the benefit of the culture at-large and the horror industry in particular that Dracula was released in the pre-Code era.

Horror films were a natural target of the Code, so it is to the benefit of the culture at-large and the horror industry in particular that Dracula was released in the pre-Code era.

Bela Lugosi was a Hungarian émigré who first cut his teeth on the stage in the National Theatre of Hungary. After facing political persecution, he made his move to the promising shores of America. First starring in (as well as producing and directing) shoestring-budget theater productions with other Hungarian émigrés, young Bela soon found himself disheartened, feeling as if he was destined to die a penniless pauper.

His first big break came when he met Henry Barton, a theatrical manager who had been impressed with Lugosi’s performance in one of his Hungarian-language productions. The American impresario hadn’t understood a word of the dialogue, but had been captivated by Lugosi’s command of the stage. He told him he would be perfect in a new play he was producing called The Red Poppy if only his English were better. Never one to give up, Lugosi told Barton he was a quick learner and would be willing to have an English tutor hired with the tutor’s wages deducted from his own.

The Red Poppy’s run was short-lived, a commercial failure. Lugosi, however, was praised for his performance and afterwards he had consistent work in small-budget English-language theater and silent film productions. Once he secured the role of the titular character in Hamilton Deane and John L. Balderston’s Broadway production of Bram Stoker’s Dracula, his fate was sealed. The rest, as they say, is history.

Koren Shadmi does an excellent job bringing Bela Lugosi to life. Penning a pictorial biography of one of the world’s most iconic actors is a daunting task, certainly not for the faint of heart, but Shadmi deftly illuminates the man behind the myth, waking him from his coffin for a whole new generation.

Penning a pictorial biography of one of the world’s most iconic actors is a daunting task, certainly not for the faint of heart, but Shadmi deftly illuminates the man behind the myth, waking him from his coffin for a whole new generation.

Shadmi’s book is just as perfect for the longtime Lugosi acolyte as it is for those who only know him through his image as Dracula. It is evocative and daring and sobering. I honestly can’t recommend it highly enough.

Shadmi’s book is just as perfect for the longtime Lugosi acolyte as it is for those who only know him through his image as Dracula.

Lugosi: The Rise and Fall of Hollywood’s Dracula by Koren Shadmi is due out on September 28th, 2021 and is available to preorder wherever books are sold.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please follow, like, comment, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at thevoraciousbibliophile@yahoo.com or catch me on Twitter @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

All Aboard the ARC: The Collection Plate: Poems (Audiobook) by Kendra Adams

***Note: I received a digital review copy from NetGalley in exchange for an honest review.***

I try my best to keep up with fresh new voices in the world of poetry. I like work that sidles up next to you and punches you in the face when you’re least expecting it, and Kendra Allen does exactly that. The Collection Plate covers so much ground in so limited a frame, one could almost call Allen a magician. Herein lies poems (songs? psalms?) exploring Black girlhood/womanhood, religion (its redemption(s) as well as its confines and strictures), sexual politics, family history, the tyranny of memory, and the line(age)s we cross when we decide who we’re going to be.

Herein lies poems (songs? psalms?) exploring Black girlhood/womanhood, religion (its redemption(s) as well as its confines and strictures), sexual politics, family history, the tyranny of memory, and the line(age)s we cross when we decide who we’re going to be.

the pastor is our uncle and our uncle di- / vests me of my volition / back on land / I drip / I dribble, I cough up / who I shoulda been

From “Evening service”

How does one even begin to analyze works this explosive? Poets don’t often compare religious ceremonies, in this case baptism, to a divestiture of one’s own free will, but Allen does so with aplomb and an assuredness that rings true for anyone familiar with charismatic faith traditions.

Poets don’t often compare religious ceremonies, in this case baptism, to a divestiture of one’s own free will, but Allen does so with aplomb and an assuredness that rings true for anyone familiar with charismatic faith traditions.

I don’t want to distract from the beauty of this collection with an overabundance of my own commentary, so I’ll just leave it with you like this: I’ve already bought my own copy so I can read it again and again. And again.

The Collection Plate: Poems is now available to order wherever books are sold. You can follow Kendra Allen on Twitter @kendracanyou.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please follow, like, comment, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at thevoraciousbibliophile@yahoo.com or catch me on Twitter @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

All Aboard the ARC: I Hope This Finds You Well: Poems by Kate Baer

***Note: I received a digital ARC of Kate Baer’s forthcoming collection, I Hope This Finds You Well, from NetGalley in exchange for an honest review.***

There is something profound, one might even say holy, about taking back space from those who would push you to the margins. I Hope This Finds You Well does just that. Kate Baer’s newest collection is a reclamation, a clarion call, and a battle cry all at once. Never one to shrink away from her detractors, Baer takes the vitriol hurled in her direction and turns it into verse. Herein lies not only an alchemical affirmation, but a jagged path home. Please read this book.

I Hope This Finds You Well is due to be released on November 9, 2021 and is now available to preorder wherever books are sold.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please follow, like, comment, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at thevoraciousbibliophile@yahoo.com or catch me on Twitter @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Album Review: One Foot In Front Of The Other by Griff

I’m always looking for the next thing that’s going to break me open. I use art as emotional catharsis. I never know what the medium is going to be—the truth just has a way of finding me and it never comes unprepared.

I’m always looking for the next thing that’s going to break me open.

That said, One Foot In Front Of The Other is the perfect mixtape for Sad Girl Summer and I am here for it. Bring on The Purge (of feelings, that is). There’s a desperation in Griff’s voice. An overflowing melancholy colors every lyric on every track. But there’s also hope—buckets of it. And resilience. And it overpowers everything else.

It’s somewhat of a disservice to Griff (real name Sarah Griffiths) to compare her to her forebears or contemporaries, but nevertheless her sound is familiar in an endearing, ear-tickling way. There’s some 1989 and reputation-era Taylor Swift here. Some Lorde, though more Melodrama than Pure Heroine. A dollop of Billie Eilish and a sprinkling of Lana Del Rey. Halsey hangs at the edge of the frame of tracks like “Earl Grey Tea”. Some of the production on the last track sounds like Bleachers.

I’ve tried to pray / I’ve bruised my knees / I’ve tried to bring you back to me

Black Hole by Griff

All in all, it’s just a really great time to be an angsty songstress. She brings to mind a couple of noteworthy contemporaries; namely, FLETCHER and ELIO, but also Olivia Rodrigo without all the rage. Her alchemy, though, is all her own.

Rating: ⭐️⭐️⭐️⭐️

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please follow, like, comment, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at thevoraciousbibliophile@yahoo.com or catch me on Twitter @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

No One Told Me

I am not emotionally prepared for a new Sally Rooney novel, and shame on everyone who knew and didn’t tell me this was coming.

Beautiful World, Where Are You is set to release on September 7th, and I really don’t know what to do with myself.

My backlog of books I want to read immediately keeps growing, and you can bet your bottom dollar I’ll be acquiring this little gem the day it comes out.

For me, Sally Rooney is to literary fiction as Greta Gerwig is to cinema. Lots of pining and complex emotions, with the occasional outburst that’s inserted as much for the plot as for the audience’s (be they biblio- or cinephiles) much-needed catharsis.

For me, Sally Rooney is to literary fiction as Greta Gerwig is to cinema.

I guess I can tell you right now that Normal People did me some kind of way. So much so, in fact, that I immediately bought Conversations with Friends and then proceeded to (A) not pick it up and (B) lose track of its placement. It looks like I’m going to have to find it now because I’ll need the pre-game training to be able to withstand the main event.

All of Sally Rooney’s books are now available wherever books are sold.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please follow, like, comment, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at thevoraciousbibliophile@yahoo.com or catch me on Twitter @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.