I grew up with Miley Cyrus. She’s the Madonna of my micro-generation, that batch of kids born between 1995 and 2000. We’re old enough to have owned and operated a VCR but young enough to remember having the Internet at least on the periphery of our entire lives, if not always the forefront. I am a child of Hannah Montana. When I went shopping with my dad at Walmart for new school clothes before my 6th grade year started, I bought the Hannah Montana 2 / Meet Miley Cyrus double album. That album provided the soundtrack to much of my pre-middle school life, that weird in-between time when you’re not really a teenager but also not a little kid anymore. You feel everything and nothing. Gravity doesn’t really know which way to pull you so you’re in a stasis between what you were before and what you will inevitably become. So yeah, I’ll fight someone over Miley. Anyone at any time.
She’s [Miley Cyrus] the Madonna of my micro-generation, that batch of kids born between 1995 and 2000.
I became an adult right around the time when Bangerz released. Actually, that CD was one of my 18th birthday presents from my parents, who paled at the theatrics and the unapologetic sexuality of that record and decided to buy it for me anyway. There’s a photo of me floating around on the Internet where I’m dressed as Miley for Halloween, tongue out and peace sign flashed.
There’s a photo of me floating around on the Internet where I’m dressed as Miley for Halloween, tongue out and peace sign flashed.
All of that said, I think Endless Summer Vacationis her best album yet. She’s a woman who’s been through a lot and that is evident not only in her autobiographical lyrics but the lived-in feel of the music itself. The entire record, from beginning to end, is a pop masterpiece. Although to be honest, I hesitate to put that label on it, slapping it in a pop box. Cyrus has, for the entirety of her career, defied all genre expectations and instead exists as a mashup of everything all at once. Any box you put her in will inevitably be smashed and there she’ll be, dancing madly in and around the detritus. We should all just be happy to be along for the ride.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
Ever since I started working in a bookstore, Tuesdays have been my favorite day of the week because that’s when most new releases hit shelves. Now, that’s not a strict rule. For example, James Patterson’s titles almost always come out on Mondays. I guess when you’re the world’s highest-paid author you can grease the wheels a little for a tad more exclusivity than your peers are afforded.
Featured below are eight new titles (with links for purchase included, of course) that are sure to bring loads of delight over the holiday season. If you’re looking for gift ideas, there’s a little something for everyone here: romance, mystery, science fiction, business, personal growth, and more.
Synopsis: Diana O’Toole is perfectly on track. She will be married by thirty, done having kids by thirty-five, and move out to the New York City suburbs, all while climbing the professional ladder in the cutthroat art auction world. She’s an associate specialist at Sotheby’s now, but her boss has hinted at a promotion if she can close a deal with a high-profile client. She’s not engaged just yet, but she knows her boyfriend, Finn, a surgical resident, is about to propose on their romantic getaway to the Galápagos—days before her thirtieth birthday. Right on time.
But then a virus that felt worlds away has appeared in the city, and on the eve of their departure, Finn breaks the news: It’s all hands on deck at the hospital. He has to stay behind. You should still go, he assures her, since it would be a shame for all of their nonrefundable trip to go to waste. And so, reluctantly, she goes.
Almost immediately, Diana’s dream vacation goes awry. Her luggage is lost, the Wi-Fi is nearly nonexistent, and the hotel they’d booked is shut down due to the pandemic. In fact, the whole island is now under quarantine, and she is stranded until the borders reopen. Completely isolated, she must venture beyond her comfort zone. Slowly, she carves out a connection with a local family when a teenager with a secret opens up to Diana, despite her father’s suspicion of outsiders.
In the Galápagos Islands, where Darwin’s theory of evolution by natural selection was formed, Diana finds herself examining her relationships, her choices, and herself—and wondering if when she goes home, she too will have evolved into someone completely different.
Bonus
Check out the free downloadable pdf Book Club Kit available on Jodi Picoult’s website.
Synopsis: “Don’t struggle, Lei-zhi. It’s time to take you back to the Hidden Palace. You’re going home.”
The final pages of Girls of Storm and Shadow brought a jaw-dropping conclusion that had the fates of Lei and Wren hanging in uncertainty. But one thing was certain – the Hidden Palace was the last place that Lei would ever consider home. The trauma and tragedy she suffered behind those opulent walls would plague her forever. She could not be trapped there with the sadistic king again, especially without Wren. The last Lei saw of the girl she loved, Wren was fighting an army of soldiers in a furious battle to the death. With the two girls torn apart and each in terrorizing peril, will they find each other again or have their destinies diverged forever?
Girls of Fate and Furyis the epic conclusion to the “glittering” and “adrenaline-soaked” series by Natasha Ngan, hailed as “a stunning, new talent” for her “beautiful, lush, lyrical” writing.
Synopsis: In Atlas of the Heart, Brown takes us on a journey through eighty-seven of the emotions and experiences that define what it means to be human. As she maps the necessary skills and an actionable framework for meaningful connection, she gives us the language and tools to access a universe of new choices and second chances—a universe where we can share and steward the stories of our bravest and most heartbreaking moments with one another in a way that builds connection.
Over the past two decades, Brown’s extensive research into the experiences that make us who we are has shaped the cultural conversation and helped define what it means to be courageous with our lives. Atlas of the Heartdraws on this research, as well as on Brown’s singular skills as a storyteller, to show us how accurately naming an experience doesn’t give the experience more power, it gives us the power of understanding, meaning, and choice.
Brown shares, “I want this book to be an atlas for all of us, because I believe that, with an adventurous heart and the right maps, we can travel anywhere and never fear losing ourselves.”
Synopsis: In his sixth business book, bestselling author, entrepreneur, and investor Gary Vaynerchuk explores the twelve essential emotional skills that are integral to his life—and business—success and provides today’s (and tomorrow’s) leaders with critical tools to acquire and develop these traits.
For decades, leaders have relied on “hard” skills to make smart decisions, while dismissing the importance of emotional intelligence. Soft skills like self-awareness and curiosity aren’t quantifiable; they can’t be measured on a spreadsheet and aren’t taught in B-schools or emphasized in institutions. We’ve been taught that emotional intelligence is a “nice to have” in business, not a requirement. But soft skills can actually accelerate business success, Gary Vaynerchuk argues. For analytical minds, it’s challenging to understand how to get “better” at being self-aware, curious, or empathetic—or even why it’s important to try.
In this wise and practical book, Gary explores the 12 human ingredients that have led to his success and happiness and provides exercises to help you develop these traits yourself. He also shares what the “half” is—that emotional ingredient of leadership he’s weakest at and makes the most effort to improve. Working through the ideas and exercises in the book, he teaches you how to discover your own “halves” and offers insight on how to strengthen them.
Gary’s secret to success is using these twelve traits in varying mixtures, depending on the situation. But how do we know when to balance patience with ambition? Humility with conviction? Gary provides real-life examples involving common business scenarios to show you how to use them together for optimum results.
This iconoclastic book will help you refine your ingredients and improve your leadership capabilities. When implemented in the proper situation, these ingredients can help leaders land promotions, retain core employees, move faster than competitors, win the loyalty of customers, and build successful organizations that last.
Synopsis: It’s a well-known fact that when a man is in search of a bride, a good dowry is never a hindrance.
Thomas Sharpe is handsome, well-bred, and desperately in need of a wealthy bride. His father has lost their income, his sister needs looking after, and so to save them all from a life of poverty he travels to London in search of an heiress.
Enter Lady Jane Capel. After her fiancé ended their engagement two years ago, Jane boldly left her parents’ home and moved in with her half-brother Percy. What does one more scandal matter to a family with such a curious reputation? Jane is independent, but not as well versed in life—and love—as she wants.
The two of them strike a deal: Thomas will show her all there is to know about the world —and intimacy—and Jane will help him find a bride. But the more time they spend together and the closer they get, the two of them soon realize that things aren’t so simple when it comes to men and women…
Synopsis: In this compulsively readable novel of domestic suspense, a young woman takes comfort in reconnecting with her childhood nanny, until she starts to uncover secrets the nanny has been holding for twenty years.
Sue Keller is lost. When her father dies suddenly, she’s orphaned in her mid-twenties, her mother already long gone. Then Sue meets Annie. It’s been twenty years, but Annie could never forget that face. She was Sue’s live-in nanny at their big house upstate, and she loved Sue like she was her own.
Craving connection and mothering, Sue is only too eager to welcome Annie back into her life; but as they become inseparable once again, Sue starts to uncover the truth about Annie’s unsettling time in the Keller house all those years ago, particularly the manner of her departure—or dismissal. At the same time, she begins to grow increasingly alarmed for the safety of the two new charges currently in Annie’s care.
Told in alternating points of views—Annie in the mid-’90s and Sue in the present day—this taut novel of suspense will keep readers turning the pages right up to the shocking end.
Synopsis: The Laconian Empire has fallen, setting the thirteen hundred solar systems free from the rule of Winston Duarte. But the ancient enemy that killed the gate builders is awake, and the war against our universe has begun again.
In the dead system of Adro, Elvi Okoye leads a desperate scientific mission to understand what the gate builders were and what destroyed them, even if it means compromising herself and the half-alien children who bear the weight of her investigation. Through the wide-flung systems of humanity, Colonel Aliana Tanaka hunts for Duarte’s missing daughter. . . and the shattered emperor himself. And on the Rocinante, James Holden and his crew struggle to build a future for humanity out of the shards and ruins of all that has come before.
As nearly unimaginable forces prepare to annihilate all human life, Holden and a group of unlikely allies discover a last, desperate chance to unite all of humanity, with the promise of a vast galactic civilization free from wars, factions, lies, and secrets if they win.
But the price of victory may be worse than the cost of defeat.
Synopsis: From the author of One of Us Is Lying comes a brand-new pulse-pounding thriller. It’s Ferris Bueller’s Day Off with murder when three old friends relive an epic ditch day, and it goes horribly—and fatally—wrong.
Ivy, Mateo, and Cal used to be close. Now all they have in common is Carlton High and the beginning of a very bad day. Type A Ivy lost a student council election to the class clown, and now she has to face the school, humiliated. Heartthrob Mateo is burned out from working two jobs since his family’s business failed. And outsider Cal just got stood up . . . again.
So when the three unexpectedly run into each other, they decide to avoid their problems by ditching. Just the three of them, like old times. Except they’ve barely left the parking lot before they run out of things to say. . .
. . . until they spot another Carlton High student skipping school—and follow him to the scene of his own murder. In one chance move, their day turns from dull to deadly. And it’s about to get worse. It turns out Ivy, Mateo, and Cal still have some things in common…like a connection to the dead kid. And they’re all hiding something.
Could it be that their chance reconnection wasn’t by chance after all?
Note: All synopses in the preceding post came from their respective publishers.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
Can You See Me?: A Book About Feeling Small by Gökçe İrten
***Note: I received a free digital review copy of this book from NetGalley in exchange for an honest review.***
The world is a big and wonderful place but it can also be quite confusing. Why are elephants so big while ants are so tiny? Why do humans have two legs while spiders have eight legs and snakes have no legs? Gökçe İrten does a fantastic job of showing preschool-age children that our world is filled with a diverse array of creatures both big and small and that everything and everyone serves their own unique and special purpose. Can You See Me? is perfect for introducing young audiences to empathy- and perspective-building, and Gökçe İrten’s gorgeously rendered illustrations are sure to delight them as well. Can You See Me? is a book I’ll be eagerly recommending to parents, caregivers, and the children accompanying them.
Can You SeeMe?: A Book About Feeling Small by Gökçe İrten is due to be released on September 7th, 2021 by Kids Can Press and is now available to preorder wherever books are sold.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter and Instagram @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
We’ve waited four long years for another Lorde album. With Solar Power, Lorde has traded the bass and bombast that characterized both Pure Heroine and Melodrama for a more languorous sound, one that doesn’t care whether or not you like it as long as she vibes with it.
With Solar Power, Lorde had traded the bass and bombast that characterized both Pure Heroine and Melodrama for a more languorous sound, one that doesn’t care whether or not you like it as long as she vibes with it.
And vibe with it she does. The Atlantic’s Spencer Kornhaber calls Solar Power a “rock nostalgist’s dream,” and I can’t think of a more apt descriptor for Lorde’s junior record. Lorde co-produced the album with Jack Antonoff, who in addition to his work in fun. and Bleachers is also a frequent collaborator of Lana Del Rey and Taylor Swift. Some keyboard warriors on Twitter took to their phones first thing this morning to trash the album and Antonoff in particular, but in my opinion they’re way off-base.
For one thing, music doesn’t have to be radio-friendly to be worthy of praise. It may be a little early to call, but I wouldn’t be a bit surprised if Lorde takes home Album of the Year at the Grammy’s next year, which would be a glorious middle finger in the faces of her detractors.
It may be a little early to call, but I wouldn’t be a bit surprised if Lorde takes home Album of the Year at the Grammy’s next year, which would be a glorious middle finger in the faces of her detractors.
Lorde seems to have anticipated the criticism now coming her way, because in the title track she gives us this delicious double entendre: “Can you reach me? No, you can’t,” asserting both her self-prioritization and the fact that she doesn’t need to prove anything to her haters because she’s already beaten them.
All in all, Solar Power is a powerhouse of a record, if a subdued one. It’s not going to be everyone’s cup of tea, for sure, but then again I don’t think it’s meant to be. Lorde is just living her life and if you don’t like her, I don’t think she cares—she’ll just keep singing in the sand.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please follow, like, comment, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at thevoraciousbibliophile@yahoo.com or catch me on Twitter @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
How does Billie Eilish respond to criticism of her newest full-length offering, Happier Than Ever? With a dismissive eye roll and a snappy comeback.
Apparently, many “fans” of Eilish are not enamored with her sophomore effort, ostensibly because of its lack of radio-friendly tracks. This doesn’t seem to bother Eilish, however, who’s too busy counting her stacks and referencing her rack at the same time to be bothered by petty inanities.
This doesn’t seem to bother Eilish, however, who’s too busy counting her stacks and referencing her rack at the same time to bothered by petty inanities.
Clapping back at a slate of recent TikTok videos made by so-called fans, Eilish posted a video with “NDA” playing in the background while her eyes are rolling up at the text is it just me or is billie in her flop era like why does she suck now. Her c(l)aption: literally all i see on this app…eat my dust my tits are bigger than yours.
…eat my dust my tits are bigger than yours
Billie Eilish
This is the very reason the world (and yours truly) loves Billie: she doesn’t play by anyone’s rules except her own. The same woman who drew criticism for wearing excessively baggy clothing on the red carpet is the same woman who drew criticism for posing seductively on the June 2021 cover of British Vogue wearing a corset and sporting new blonde locks.
Happier Than Ever embraces these complexities while at the same time rejecting all classification whatsoever. What matters more than anything is what Billie wants to say in the moment, and she has a lot to say on this record—about fame, mental health, sex, and the (im)balances of power inherent in all relationships (toxic and otherwise).
What matters more than anything is what Billie wants to say in the moment, and she has a lot to say on this record—about fame, mental health, sex, and the (im)balances of power inherent in all relationships (toxic and otherwise).
Haters are never happy with how women own their power and inhabit their sexuality, always attempting to reify a made-up circumscription placing them within a false dichotomy of prude or slut, Madonna or whore. How much cleavage is too much? How little is too little? Is she pure or just a tease? It’s all nonsense rooted in the detractors’ own unavoidable mediocrity: eat my dust my tits are bigger than yours.
Rating: ⭐️⭐️⭐️⭐️ (4/4)
Favorite Tracks: “I Didn’t Change My Number”, “Oxytocin” “OverHeated”, “Your Power”, and “Happier Than Ever”.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please follow, like, comment, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at thevoraciousbibliophile@yahoo.com or catch me on Twitter @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
***Note: I received a free digital review copy of this book from NetGalley in exchange for an honest review.***
Sometimes a picture really is worth a thousand words. Anthony and the Gargoyle tells the story of Anthony, a little boy who lives with his parents in a house full of photographs. These pictures tell the story of his life and his parents’ lives before him. In the background of some of them, you can see Parisian landmarks beside the smiling happy couple.
In one of the photographs, Anthony can be seen holding a pet rock. One day, this rock breaks open and from it springs a gargoyle that teaches Anthony an important lesson: sometimes loving something means being willing to let it go. He also learns along the way that love doesn’t end at separation—it can break any boundary and traverse any distance.
Perfect for fans of Aaron Becker’s Journey trilogy and Molly Idle’s Flora and Her Feathered Friends series, Anthony and the Gargoyle is sure to delight readers of all ages. It is due to be released on October 5th, 2021, and is now available to preorder wherever books are sold.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please follow, like, comment, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at thevoraciousbibliophile@yahoo.com or catch me on Twitter @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
***Note: I received a free digital review copy of this book from NetGalley in exchange for an honest review.***
Garlic and the Vampire is in my opinion one of the best graphic novels written for younger readers to come out in the past decade. It tells the story of Garlic, who lives in a community of anthropomorphic vegetables created and cared for by Witch Agnes, a benevolent sorceress who teaches her vegetables the value of hard work and giving back to one’s community.
When we first meet Garlic, she is shy, passive, and timid. When a vampire is discovered to be living in the castle near their community, Garlic is decided to be the only one who can safely determine whether or not he is a threat to the humans who live in the village. She reluctantly decides to go despite her fears, knowing it’s the right thing to do.
Along the way she becomes braver, learning to rely on her own inner strength. When she finally confronts the count she learns that just because someone is different doesn’t always mean they’re to be feared, and that the best way to find out about someone else is to talk to them.
Garlic and the Vampire is due to be released on September 28th of this year and is now available to preorder wherever books are sold.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please follow, like, comment, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at thevoraciousbibliophile@yahoo.com or catch me on Twitter @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
***Note: I received a free digital review copy of this book from NetGalley in exchange for an honest review.***
I’m going to be honest with you. When I first started reading Morín’s forthcoming collection Machete, I didn’t think I was going to like it—and then it snuck up on me. Pretty soon, I couldn’t stop drinking in words, even when they were sharper than a mouth full of knives. Machete is one of those collections poised to become era-defining, and I think if we somehow make it past climate change and the threat of nuclear proliferation we’ll remember it as one of the essential works of the pandemic. With its tonal shifts, manic ebullience, and hyper focus on finding the sublime in the quotidian, it is the perfect read for a world that has been forced to stand still even while it’s on fire. I can’t wait to put it in people’s hands.
Machete: Poems is due to be released on October 12th of this year and is now available to preorder wherever books are sold.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please follow, like, comment, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at thevoraciousbibliophile@yahoo.com or catch me on Twitter @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
***Note: I received a free digital review copy from NetGalley in exchange for an honest review.***
Expected Release Date: August 1st, 2021
Publisher: Michigan State University Press
Review
Losing someone you love is hard. Losing a child is arguably the worst thing that can happen to a person during their lifetime. Losing a child to suicide is nearly unimaginable, at least until it happens to you.
In A Fine Yellow Dust, Laura Apol has given us a chronicle in verse of her first grief-year, filled with staccato bursts of anguish, confusion, longing, and finally, a tacit acceptance. She shows us that grief is not a process that ever really reaches completion, but instead is something that you learn to carry with you, and how writing through your pain can be both a deliberate act of remembering as well as a testament to what you’ve lost. Reading Apol’s collection brought to my mind people I’ve lost over the years, and in remembering them through her words, I became a little lighter, a little freer, myself. Please read this.
She [Apol] shows us that grief is not a process that ever really reaches completion, but instead is something that you learn to carry with you, and how writing through your pain can be both a deliberate act of remembering as well as a testament to what you’ve lost.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please follow, like, comment, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at thevoraciousbibliophile@yahoo.com or catch me on Twitter @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
Ashley Frangipane, otherwise known as global superstar Halsey, has been quite busy lately. They dropped their third full-length LP Manic in January of last year. 2020 also brought us collaborations between Halsey and Kelsea Ballerini (the other girl), Juice WRLD (Life’s a Mess; R.I.P.), and Marshmello (Be Kind).
As if this wasn’t already a bountiful Halsey harvest, she also released her first collection of poetry, I Would Leave Me If I Could, in November.
Now, Halsey has welcomed their first child with boyfriend Alev Aydin, named Ender Ridley Aydin. Emergent motherhood must bolster creativity in some way, because shortly after giving birth, Halsey also surprised us with news of the release date for their new album, due out on August 27th, titled If I Can’t Have Love, I Want Power. Just from the title alone, we can probably anticipate fare we’ve come to expect (and adore) from Halsey: angst tinged with tenderness, stories of survival, and declarations of love steeped in her own mythos.
Just from the title alone, we can probably anticipate fare we’ve come to expect (and adore) from Halsey: angst tinged with tenderness, stories of survival, and declarations of love steeped in her own mythos.
How are we supposed to handle all of this? I know 2020 gave a lot of us more time to create, but I don’t know if I can emotionally process new bodies of work by Billie Eilish, Lana Del Rey, Lorde, and now Halsey all in one year. This isn’t even mentioning Red (Taylor’s Version) due out in the fall, which is sure to make mincemeat of our hearts. If only I could get someone to fall in love with me and break my heart before then, so I could really appreciate the album the way it was meant to be appreciated.
I guess I’ll have to find a way to cope. It looks like Adele and Rihanna are hell-bent on making us wait for new material, and at this point I can only say thank God, because that would really be too much.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please follow, like, comment, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at thevoraciousbibliophile@yahoo.com or catch me on Twitter @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
The Voracious Bibliophile 