My friend and I snickered the first time we heard the meditation teacher, a grown man, call himself honey, with a hand placed over his heart to illustrate how we too might become more gentle with ourselves and our runaway minds. It’s been years since we sat with legs twisted on cushions, holding back our laughter, but today I found myself crouched on the floor again, not meditating exactly, just agreeing to be still, saying honey to myself each time I thought about my husband splayed on the couch with aching joints and fever from a tick bite—what if he never gets better?— or considered the threat of more wildfires, the possible collapse of the Gulf Stream, then remembered that in a few more minutes, I’d have to climb down to the cellar and empty the bucket I placed beneath a leaky pipe that can’t be fixed until next week. How long do any of us really have before the body begins to break down and empty its mysteries into the air? Oh honey, I said—for once without a trace of irony or blush of shame— the touch of my own hand on my chest like that of a stranger, oddly comforting in spite of the facts.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
Winter Journal: Threshed Blue, Cardings, Dim Tonsils by Emily Wilson
stripped batting of cloud glimpsed ligaments dusk coming up under lithographic, nib-hatchings instruments click the fine-sprung locust replicate dinge along hill-lines tailings of umber, the rust smudge There is still that hemmed ocean of oaks the various reds, the somehow silver cast over the brown-gold the under-brushed shadows How can there be more of their dispensing into air? The night-openings of the trees The thousand clefts into Their corridors shiver and merge and piece apart There is no one beside what was once river Only the carbons incoming accreting in leaves Love of old oaks unencumbering Root-beauties brought through crude sieves of bare trees the few fastened leaves Those pods are like tongues or like sickles The blades have been pulled from their sheaths The backs of the clouds now upturned They herd from pink seas They make their untouchable stream through regions of steep emptiness against which the trees have their gestures Drop down, drop down toward me your little sleek scars Make your bed in rough cedars clangor of darks numbering in clusters of trunks and spoked lungs the thistles that work at the gums
Emily Wilson studied at Harvard University and the University of Iowa Writers’ Workshop. She has taught at the latter, as well as at Colby College, Grinnell College, and the University of Montana. Wilson is the author of four poetry collections: The Keep(University of Iowa Press, 2001); Morpho Terrestre(2006), a limited edition book featuring artwork by Sara Langworthy; Micrographia(University of Iowa Press, 2010); and The Great Medieval Yellows(Canarium Books, 2015).
Writing for Boston Review, James Galvin said of Wilson: “Generous in her spareness, clear in her complexity, matching wildness of diction with precision of sense, nervousness with nerve, her poems are not written for analysis, perhaps not even for approval. As we watch poetical heresies turn into orthodoxies, it becomes clear, especially in a poet like Wilson, that only originality, a signature style, remains steadfastly heretical.”
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
In Golden Gate Park That Day… by Lawrence Ferlinghetti
In Golden Gate Park that day a man and his wife were coming along thru the enormous meadow which was the meadow of the world He was wearing green suspenders and carrying an old beat-up flute in one hand while his wife had a bunch of grapes which she kept handing out individually to various squirrels as if each were a little joke
And then the two of them came on thru the enormous meadow which was the meadow of the world and then at a very still spot where the trees dreamed and seemed to have been waiting thru all time for them they sat down together on the grass without looking at each other and ate oranges without looking at each other and put the peels in a basket which they seemed to have brought for that purpose without looking at each other
And then he took his shirt and undershirt off but kept his hat on sideways and without saying anything fell asleep under it And his wife just sat there looking at the birds which flew about calling to each other in the stilly air as if they were questioning existence or trying to recall something forgotten
But then finally she too lay down flat and just lay there looking up at nothing yet fingering the old flute which nobody played and finally looking over at him without any particular expression except a certain awful look of terrible depression
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
…one of the most exciting things about life is that we awake each day with the ability to reinvent ourselves. No matter what happened yesterday, today is a new day. While we can’t deny the struggles and setbacks, neither should we be restrained by them.
The more you grow as a person, the more you’ll have to share with others. Think of personal growth as the modeling clay of your reinvention. The more clay you have, the larger and more detailed a sculpture you can create. The more you learn—not abstract knowledge, but practical education—the more raw material you will have to shape your personal work of art.
Once again, I’ve cheated. Today, I decided to share two quotes from the same work on the same day. I love The Fred Factor. I don’t normally put a lot of stock in leadership-y books that are basically How to Be an Incognito Republican 101, but The Fred Factor is the real deal. It is insightful, succinct, and free of self-congratulatory pablum. Plus, my name is in the title. What more could you possibly want from a book? The Fred Factorcan be purchased wherever books are sold.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
I feel like publishers really stack the deck (or TBR pile, if you will) with November releases. They know the season for gift-giving is just around the bend and therefore the biggest titles of the year usually release in the weeks leading up to Hanukkah and Christmas. Below are some of the titles I’m most looking forward to picking up myself this season or considering getting as gifts. Links are included. Happy reading!
A Book of the Month Clubpick as well as Jenna Bush Hager’s Read With Jenna selection for November 2021, The Familycouldn’t have been released at a better time. For one thing, The Many Saints of Newark: A Sopranos Story, a prequel film to HBO’s The Sopranos, just came out on October 1st. While its theater performance was lackluster, it was a steaming hit on HBO Max and reignited interest in the original series as well as all things mafia in general.
Now, yours truly really appreciates the font on the cover, which serves as a none-too-subtle nod to Mario Puzo’s The Godfather. After all, it’s what made me pick up the book in the first place. There are some who would say that stories centering the families of organized crime had their heyday long ago, and who am I to tell someone they’re wrong? The Voracious Bibliophile, that’s who! For God’s sake, let us have our mobsters!!!
The Familytells the story of Sofia Colicchio and Antonia Russo, two Italian-American women raised in an insular Brooklyn community where their families’ business interests force them to hold the rest of the world at bay, forging them together into a bond not easily broken. The secrets of their world threaten that bond as they grow up, though, and only time will tell if the threads of their friendship will knit back together or fray past the point of repair.
Kirkus gave The Familya lukewarm-at-best review, calling it “a little too facile” and “readable but somewhat shallow”. Kruptisky’s novel is also negatively compared to the work of Elena Ferrante, but it’s not really fair to measure anyone in comparison to Ferrante, whose Neapolitan Novels quite literally changed my life. This was one of my Book of the Month Club picks for November and my box came the other day, so I will let you know my thoughts when I’m able to dig into it.
The Adriens are a manifestation of Willa’s wildest dreams, embodying the ideal family dynamic she always wanted but never had and living out a version of upper-middle-class life she has always craved but to which she never had access.
Win Me Somethingtells the story of Willa Chen, who while working as a waitress in Brooklyn gets the opportunity to work as a nanny for the Adrien family. The Adriens are a manifestation of Willa’s wildest dreams, embodying the ideal family dynamic she always wanted but never had and living out a version of upper-middle-class life she has always craved but to which she never had access.
As the mixed-race daughter of a Chinese immigrant father and white American mother, Willa longs for an uncomplicated history, one devoid of the racism she experiences due to her biracial identity and the bifurcations that always accompany being a child of divorce shuffled between two families, neither of which fully belong to her. Once she starts working for the Adriens, she begins to learn more about herself and the life she’s led up until now, finding that even when life is imperfect it can still be good.
Don’t expect any big reveals or melodramatics characteristic of “nanny fiction”. No husband-nanny adultery or child murder. No long-held secrets bubbling to the surface. If you’re looking for something more salacious like that, check out my Nefarious Nannies Reading List.
***Note: I was lucky enough to receive a free digital review copy of this book courtesy of NetGalley and the publisher. You can read my review here.***
Publication Date: November 9th, 2021
Publisher: Harper Perennial
Page Count: 96
It’s a beacon of light as well as a sea of middle fingers raised high. Don’t miss it.
Kate Baer’s newest collection is nothing short of a reclamation. The “found poems” herein are crafted from missives sent to Baer online by detractors and fans alike. The detractors range from the annoying and intrusive to the outright abusive, and Baer takes no prisoners in transforming their vitriol into their vanquishment, their viciousness into her own sweet victory.
The detractors range from the annoying and intrusive to the outright abusive, and Baer takes no prisoners in transforming their vitriol into their vanquishment, their viciousness into her own sweet victory.
Baer’s experiences online are as old as the Internet itself. I’m sure the behaviors, if not the platforms themselves, date back much farther. The women living in the 21st century are dealing with the same crap that the women dealt with who were alive before Christopher Columbus sailed the ocean blue. The simple fact is men don’t like women who dare to be complex people in the public sphere. They prefer them to be silent and demure, to cow and coo, to be healthy but thin, outgoing yet deferential, smart yet never sassy, and above all, subservient. Well, pardon my French, but to hell with all of that!
Baer’s collection is perfect for anyone who has ever been subjected to unsolicited feedback about their words, their body, or their very existence. It’s a beacon of light as well as a sea of middle fingers raised high. Don’t miss it.
Bonus: Midtown Scholar Bookstore of Harrisburg, Pennsylvania is hosting a livestream discussion between Kate Baer and Maggie Smith about Baer’s new book. It’s free and open to the public but requires registration, so if you’re interested, I’m posting the link below:
Natashia Deón’s dazzling new novel was an early release pick for the Book of the Month Club and to be perfectly honest, the cover alone was enough for me to have it included in my box. The Perishingtells the story of Lou, an immortal Black woman who wakes up in an alley with no memory in 1930s Los Angeles. She has visions of a man’s face which she draws as she tries to make sense of who she is and where she came from. The premise immediately made me think of NBC’s Blindspot, as well any of a number of 40s films noir.
During the course of the novel, Lou also becomes the first female journalist for the LA Times, breaking stories of crime and vice during the era of Prohibition, which when you add in the fantasy elements make The Perishing a very intriguing read.
I am so giddily excited for this book and Natashia Deón in general. Is anyone else already casting the screen adaptation? Someone call Shonda Rhimes already and let’s get this going! *coughs* Janelle Monáe *coughs*
If you start singing this and the person you’re with doesn’t start singing it with you, that is a warning sign from God that you’d be remiss to ignore.
Will Smith first rose to prominence through his starring role on NBC’s The Fresh Prince of Bel-Air. The show ran for six seasons and after its conclusion, Smith was able to transition from television to blockbuster films rather seamlessly. Now, in addition to being a producer and one of Hollywood’s most bankable stars, the Grammy Award winner and Academy Award nominee can add author to his CV.
Co-written with Mark Manson, the #1 New York Times bestselling author of The Subtle Art of Not Giving a F*ck, Willis a celebrity memoir I’m very much looking forward to reading.
***Note: I was lucky enough to receive a free digital review copy of this book courtesy of NetGalley and the publisher. You can read my review here.***
Anyone familiar with Kelsea Ballerini’s music knows she’s a gifted storyteller, and her abilities shine through just as strong in her poetry as they do in her songcraft. Following a recent spate of singer-celebrity poetry collections, Ballerini’s Feel Your Way Throughis fearsome and original, baring her soul on every page. Is this collection going to win (or even be nominated) for a Pulitzer Prize? Of course not. But you don’t have to be Walt Whitman to say something worthwhile and true about the human experience. Honestly, the elitism and pedantry surrounding what qualifies as poetry, especially “good” poetry, is a crock of 🐴 💩 anyway. Herein, Ballerini tells the truth as she sees it, and that’s more than good enough for me.
She is, in my opinion, one of the greatest living American nonfiction writers.
Publisher’s Weekly calls Ann Patchett’s newest book a “moving collection not easily forgotten,” but I don’t know if I have the emotional capacity to withstand a new essay collection by Ann Patchett, especially since Red (Taylor’s Version)drops on the 14th and 30by Adele drops just five days later on the 19th. Ann Patchett’s writing always makes me feel some kind of way and judging from the snippets I’ve gleaned from These Precious Days, it will not be the exception to the rule.
Consider the first two sentences of this excerpt furnished to CBS News:
Did I tell you I loved my father, that he loved me? Contrary to popular belief, love does not need understanding to thrive.
She has such an inimitable way of pulling the reader in, pushing them back, allowing them to flail for a little while, and then pulling them back in again. She is, in my opinion, one of the greatest living American nonfiction writers. In fact, the only writer I can currently think of who surpasses her in reticent emotional resonance is Joan Didion, long may she live.
Bonus: Read my review of Truth & Beauty, which I called “an exquisitely written and heartfelt evocation of a friendship”.
Don’t judge me if I don’t pick this one up until mid-December, although you can pretty much guarantee I’ll own it before then.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
Some nannies are downright evil. They’ll slaughter you in your crib, seduce your dad, and surreptitiously drug your mom to the point where no one trusts her and she gets to become your new mommy (did anyone else see that Lifetime movie?).
Ah, nannies. Readers of bedtime stories and makers of snacks, kissers of boo-boos and sergeants of naps. Not every nanny, however, flits in like Julie Andrews insisting that a spoonful of sugar helps the medicine go down. Some nannies are downright evil. They’ll slaughter you in your crib, seduce your dad, and surreptitiously drug your mom to the point where no one trusts her and she gets to become your new mommy (did anyone else see that Lifetime movie?). The Nefarious Nannies in these books are rotten to the core, or at least misguided to a destructive degree. Links for purchase are included!
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
***Note: I received a free digital review copy of this book from NetGalley in exchange for an honest review.***
We must be entering a golden age for wordless picture books. In October, Anthony and the Gargoyle by Jo Ellen Bogart (originally reviewed on my blog here) hit shelves and warmed the hearts of readers everywhere. And anyone who missed Aaron Becker’s wordless Journey trilogy would be doing themselves a great disservice by not acquiring it immediately. Now, we have this little gem due to be released on February 22nd of next year by Clarion Books. Talk about an embarrassment of riches.
Once the guests have left and all but one of the presents have been unwrapped, Matias and his dog discover something quite spectacular in the last gift: a magic cloud.
Matias and the Cloud opens on the morning of Matias’s birthday. His family throws him a big party to celebrate his special day, with cake and a piñata and presents stacked high just waiting to be unwrapped. Once the guests have left and all but one of the presents have been unwrapped, Matias and his dog discover something quite spectacular in the last gift: a magic cloud.
This enchanted cloud is no ordinary fluffnugget of condensed vapor. On the contrary, this cloud can float and bounce and do all sorts of neat things.
This enchanted cloud is no ordinary fluffnugget of condensed vapor. On the contrary, this cloud can float and bounce and do all sorts of neat things. What will Matias and his dog get up to with their new friend? You’ll have to get it yourself to find out.
Matias and the Cloud is due to be released by Clarion Books on February 22nd, 2022 and is available to preorder wherever books are sold.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
***Note: I received a free digital review copy of this book from NetGalley in exchange for an honest review.***
Sabrina Benaim has gifted us with a collection that is both a blueprint for grief and a roadmap to help us find our way out of it.
With I Love You, Call Me Back, Sabrina Benaim has gifted us with a collection that is both a blueprint for grief and a roadmap to help us find our way out of it. It’s not an easy task to meld hope and despair together in the same poem without coming off as maudlin or worse, melodramatic, but Benaim manages to do so with the grace and panache of an assured stylist.
Her voice rings so clear and true that while reading her new collection I felt like I was having a conversation with an old friend, one with whom I could share my highest hopes and biggest fears. After the past nineteen months of dealing with the isolation brought on by the COVID-19 pandemic, finally someone is saying that everything is not okay, but it will be eventually. And in the meantime, we can hold space for small joys, of which I count this poetry collection as one of them.
I Love You, Call Me Back: Poemswas released by Plume, a division of Penguin Random House, on October 19th, 2021 and is now available to purchase wherever books are sold.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
***Note: I received a free digital review copy of this book from NetGalley in exchange for an honest review.***
Like all of Shire’s work, this collection explores themes of immigration, Black womanhood, Muslim identity, mental health, and sexual violence.
Herein the body is more than its corporeal form. It is a border wall limned with barbed wire, a boat tossed on a treacherous sea between nations, a forest aflame, a line of demarcation, a political statement, a war zone, a site of both refuge and terror, a haunted geography, and a mother’s scream, beautiful and terrible. Herein is a voice forged in fire. Bless the Daughter Raised by a Voice in Her Head is perhaps 2022’s most anticipated poetry collection and I for one can say it was worth the long wait.
Like a lot of people, my first experience with Warsan Shire and her poetry came vis-à-vis the visual album for Beyoncé’s Lemonade. For those of you who haven’t watched Lemonade, it is composed of eleven chapters, corresponding with the first eleven songs on the album with names like “Intuition” (for “Pray You Catch Me”) and “Redemption” (for “All Night”). In the interstitial spaces between songs, Beyoncé recites pieces of poetry and prose by Warsan Shire. The British-Somali wunderkind, then relatively-unknown outside of the U.K., was catapulted into the spotlight.
Immediately after listening to Lemonade, I bought Shire’s 2011 chapbook, Teaching My Mother How to Give Birth, which I’ve read several times now. In 2015, she released a chapbook through flipped eye publishing called Her Blue Body, and if you have a copy then you’d be well-advised to hold on tight to it for dear life because I’ve been scouring the Internet for years in search of a copy. I once saw a used copy online for more than $1,000, and if I’d had the money I’d have bought it no questions asked.
Like all of Shire’s work, this collection explores themes of immigration, Black womanhood, Muslim identity, mental health, and sexual violence. I can’t imagine anyone reading it and leaving it unaffected if not completely transformed. Bless the Daughter Raised by a Voice in Her Head is not to be missed.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
They were women then My mama’s generation Husky of voice—stout of Step With fists as well as Hands How they battered down Doors And ironed Starched white Shirts How they led Armies Headragged generals Across mined Fields Booby-trapped Ditches To discover books Desks A place for us How they knew what we Must know Without knowing a page Of it Themselves.
I first read “Women” as a high school freshman, memorizing and reciting it for extra credit. Later on, it grew in significance for me when I read Their Eyes Were Watching God by Zora Neale Hurston and learned that if not for Alice Walker, Hurston’s great body of work would probably have languished in obscurity for all time. Walker’s acknowledgment of the labor of her Black women foremothers in making her own life possible is a major theme throughout her body of work, and nowhere is it clearer than in today’s poem.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
The Voracious Bibliophile 