
The truth is, there is no better place to live than in the shadow of a beautiful, furious mountain.

The truth is, there is no better place to live than in the shadow of a beautiful, furious mountain.

***Note: I received a free digital review copy of this book from NetGalley in exchange for an honest review.***
Gertie is a little yak with a big heart. Eager to be big and tall like the other yaks in her herd, Gertie tries her hardest to make herself bigger and stronger but finds her negative self-perception tested when an emergency calls for someone smaller like her.
In the end, Gertie learns that it’s not the size of your horns that matter but the strength of your character, and that everyone in the herd has something amazing to offer regardless of their size or ability. Reminiscent of the story of Rudolph with his blinking red nose or Kyo Maclear’s picture book Spork, The Littlest Yak shows readers of all ages that sometimes the things we don’t like about ourselves end up becoming our greatest assets. Five stars and two thumbs way up for Gertie, who now holds a coveted spot as one of my favorite heroines in all of children’s literature.
Five stars and two thumbs way up for Gertie, who now holds a coveted spot as one of my favorite heroines in all of children’s literature.
The Littlest Yak is due to be released in the U.S. on October 1st, 2021 and is now available to preorder wherever books are sold.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please follow, like, comment, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at thevoraciousbibliophile@yahoo.com or catch me on Twitter @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

so much depends
on the authority
of a reality
to guide me
in a logic
of circumstance -
to live comfortably
yet desire differently.

We are all substantially flawed, wounded, angry, hurt, here on Earth. But this human condition, so painful to us, and in some ways shameful – because we feel we are weak when the reality of ourselves is exposed – is made much more bearable when it is shared, face-to-face, in words that have expressive human eyes behind them.

Someone was saying
Something about shadows covering the field, about
how things pass, how one sleeps toward morning
and the morning goes.
Someone was saying
how the wind dies down but comes back,
how shells are the coffins of wind
but the weather continues.
It was a long night
and someone said something about the moon shedding its
white
on the cold field, that there was nothing ahead
but more of the same.
Someone mentioned
a city she had been in before the war, a room with two
candles
against a wall, someone dancing, someone watching.
We began to believe
the night would not end.
Someone was saying the music was over and no one had
noticed.
Then someone said something about the planets, about
the stars,
how small they were, how far away.

The pain of being reminded is a sharp sword.
This is the first time I’ve posted my own poetry on my blog so naturally I’m terrified. Here you go.

i write memoirs of crushed rose petals and
poetry aided by artificially
-intelligent algorithms predicting
what it is my thumbs want to say
next but sometimes a different agenda
takes root. on an island of one, there is
no need for a king or a dream because
in the world of the self, there is only
the now — no need for dreams or sleep or
dreams or dreams or dreams or the sound of
rain slapping the truth out of the earth. the
closest i ever came to nirvana was the first
time i saw lady gaga perform yoü and i
bearing down on a baby grand in heels higher
than heaven studded in leather and the
glimmer of the stage lights brighter than
broadway than all the stars in the sky.
somethin’ ‘bout lonely nights and my lipstick
on your face. i swam through a river of my own
blood to wash up on another unforgiving
shore. i clutched years like shards of glass
in my clenched fists and decided to keep
holding onto a reason.
Note: The phrase “somethin’ ‘bout lonely nights and my lipstick on your face” is borrowed from “Yoü and I” by Lady Gaga (Stefani Germanotta) who also wrote the lyrics. © 2014 Interscope Records.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please follow, like, comment, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at thevoraciousbibliophile@yahoo.com or catch me on Twitter @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
© 2021 Fred Slusher. All rights reserved.

i want a parade
i want music
i want confetti
i want a marching band
for the ones surviving in silence
i want a standing ovation
for every person who
wakes up and moves toward the sun
when there is a shadow
pulling them back on the inside
People in the book world are always giving Rupi Kaur a hard time. They say her poetry isn’t actually poetry. It’s too sanitized. It’s too accessible. Well pardon the f&$! out of me, but I don’t think you should need an MFA to be able to access poetry. Maybe it’s jealousy? Maybe they’re pissed that Ms. Kaur is out here stacking up paper while twelve people in the entire world are telling them they’re the next Emerson? I don’t know and I don’t really care. If something someone reads resonates with them and makes them feel something, then damn the literati and their thinly-veiled colonialism. Mazel tov.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please follow, like, comment, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at thevoraciousbibliophile@yahoo.com or catch me on Twitter @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Nevertheless, do not allow yourself to be carried away by how you shoot in the morning, whether well or badly. There are many more days ahead, and each arrow is a life in itself. Use your bad moments to discover what makes you tremble. Use your good moments to find your road to inner peace. But do not stop either out of fear or out of joy: the way of the bow has no end.

How does Billie Eilish respond to criticism of her newest full-length offering, Happier Than Ever? With a dismissive eye roll and a snappy comeback.
Apparently, many “fans” of Eilish are not enamored with her sophomore effort, ostensibly because of its lack of radio-friendly tracks. This doesn’t seem to bother Eilish, however, who’s too busy counting her stacks and referencing her rack at the same time to be bothered by petty inanities.
This doesn’t seem to bother Eilish, however, who’s too busy counting her stacks and referencing her rack at the same time to bothered by petty inanities.
Clapping back at a slate of recent TikTok videos made by so-called fans, Eilish posted a video with “NDA” playing in the background while her eyes are rolling up at the text is it just me or is billie in her flop era like why does she suck now. Her c(l)aption: literally all i see on this app…eat my dust my tits are bigger than yours.
…eat my dust my tits are bigger than yours
Billie Eilish
This is the very reason the world (and yours truly) loves Billie: she doesn’t play by anyone’s rules except her own. The same woman who drew criticism for wearing excessively baggy clothing on the red carpet is the same woman who drew criticism for posing seductively on the June 2021 cover of British Vogue wearing a corset and sporting new blonde locks.
Happier Than Ever embraces these complexities while at the same time rejecting all classification whatsoever. What matters more than anything is what Billie wants to say in the moment, and she has a lot to say on this record—about fame, mental health, sex, and the (im)balances of power inherent in all relationships (toxic and otherwise).
What matters more than anything is what Billie wants to say in the moment, and she has a lot to say on this record—about fame, mental health, sex, and the (im)balances of power inherent in all relationships (toxic and otherwise).
Haters are never happy with how women own their power and inhabit their sexuality, always attempting to reify a made-up circumscription placing them within a false dichotomy of prude or slut, Madonna or whore. How much cleavage is too much? How little is too little? Is she pure or just a tease? It’s all nonsense rooted in the detractors’ own unavoidable mediocrity: eat my dust my tits are bigger than yours.
Rating: ⭐️⭐️⭐️⭐️ (4/4)
Favorite Tracks: “I Didn’t Change My Number”, “Oxytocin” “OverHeated”, “Your Power”, and “Happier Than Ever”.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please follow, like, comment, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at thevoraciousbibliophile@yahoo.com or catch me on Twitter @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.