Pinworthy: Cheryl Strayed Quote About Fear

I don’t have any tattoos (yet) but if I ever decide to get one, it’ll probably either be a mockingjay in flight or a Cheryl Strayed quote.

Anyone who’s been reading this blog for any amount of time whatsoever can probably tell you how much I love Cheryl Strayed. She is possibly the most quotable woman on the planet at the moment. I don’t have any tattoos (yet) but if I ever decide to get one, it’ll probably either be a mockingjay in flight or a Cheryl Strayed quote.

I saw that it was possible to not only not feel regret, but to be thankful for the mistakes I’ve made because ultimately they’ve shaped me into the person I’ve become.

When I read Wild for the first time, it really opened my eyes to the possibility of living in a state of acceptance. I saw that it was possible to not only not feel regret, but to be thankful for the mistakes I’ve made because ultimately they’ve shaped me into the person I’ve become. And is it even right to call them mistakes? You see, I grew up in an extremely religious household where sin was vile, hell was hot, and you most certainly wanted to do everything you could to avoid ending up there. That legalistic framework conditioned me to feel intense shame and regret every time I behaved outside the bounds of what was considered “acceptable” behavior.

You get treats (eternal life and salvation) for good behavior and punishments (eternal damnation and torment via hellfire) for bad behavior.

No one really talks about the paranoia of living that way. You live every day slobbering like a Pavlov dog. You get treats (eternal life and salvation) for good behavior and punishments (eternal damnation and torment via hellfire) for bad behavior. I can already hear my mom saying, “That’s not how it works. We are saved by grace, not by good behavior.” And I will give her points for that, but the act of living in grace and in a state of constant penitence functions exactly like the kind of conditioning Pavlov used on those pooches.

…the act of living in grace and in a state of constant penitence functions exactly like the kind of conditioning Pavlov used on those pooches.

I’m aware that I’m taking the long way around here, but I want you to try something for me. Think of fear as a border. Imagine it as a literal line of demarcation fencing you in. Fear tells you not only where you can go, but how you must behave there, what your limitations are, and ultimately, when you are allowed to leave. Fear is limiting. Now, don’t misread me. The opposite of fear is not bravery or courage—it is water. It simply flows.

Sometimes you must tell yourself you are safe and you are loved over and over again until it becomes the only story you know and the only sound that reverberates.

And like Cheryl says in the quote I’ve shared above, fear is borne out of the narratives we tell ourselves, the ones we play on a loop. Sometimes you must tell yourself you are safe and you are loved over and over again until it becomes the only story you know and the only sound that reverberates.

What I want for myself and what I want for all of you is for us to learn to tell ourselves a different story. From the time we were born, we’ve had narratives projected onto us. You’re too fat. You’re too thin. You’re too gay. You’re so needy. You’re too loud. You don’t fit in here. You can’t sit with us. You can’t show your skin if it’s not flawless. You can’t bare your midriff if it has stretch marks. The way you eat is disgusting. You must have a thigh gap. You must buy your clothes at Walmart. You must have muscles. Boys can’t wear skirts. That lipstick shade is slutty. Give more. Give less. Be quiet. Speak up. Sit down. Disappear. Become nothing.

What do all of these narratives have in common? They’re all lies. Tell your own story and live in your own truth. I promise you won’t regret it.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Book Review: Change Sings: A Children’s Anthem by Amanda Gorman (Author) and Loren Long (Illustrator)

Change Sings: A Children’s Anthem by Amanda Gorman (Author) and Loren Long (Illustrator)

Amanda Gorman is, quite simply, a revelation.

Amanda Gorman is, quite simply, a revelation. In Change Sings: A Children’s Anthem, Gorman’s mellifluous and uplifting text is paired with Loren Long’s gorgeously-rendered illustrations to show readers of all ages that everyone has a voice and everyone can (and should) be an agent for positive change. I think it’s fair to say that 2021 is the year of Amanda Gorman. She catapulted into the spotlight after she was chosen to recite her poem, “The Hill We Climb”, at the inauguration of President Joe Biden. She is the youngest person to ever be chosen for that honor. She was photographed by Annie Liebowitz for the May cover of Vogue, becoming the first poet who can make that claim.

…if you ask her, she stands on the shoulders of giants – the Black ancestors whose DNA she shares and whose lives she honors with her work to create a more just and equitable America.

It would seem that Gorman is racking up “firsts” like nobody’s business, but if you ask her, she stands on the shoulders of giants – the Black ancestors whose DNA she shares and whose lives she honors with her work to create a more just and equitable America. In addition to Change Sings, which was released by Viking Books for Young Readers on September 21st, she is also the author of three additional books: The One for Whom Food Is Not Enough, which she self-published in 2015; The Hill We Climb: An Inaugural Poem for the Country, which was released earlier this year; and Call Us What We Carry: Poems, which is due to be released on December 7th by Penguin Young Readers and is now available to preorder wherever books are sold.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Poem for the Day: September 27th, 2021

From the Taiwan Cypress in Alishan by Jennifer Huang

it’s true
they say
we can’t help
family

sometimes they walk
after dusk searching
in fear
half of us have disappeared
our fragrance is that of god
we wail for the lost
axed down for profit
their knives scratch our surface
beneath our shadows
for something we
dissipate and become

Today’s poem originally appeared in the May 2021 issue of Poetry. In addition to their writing, Huang is also the Independent Publicist at The Shipman Agency. Their debut collection, Return Flight: Poems, is due to be released on January 18th, 2022 by Milkweed Editions.

Update: I had some issues getting today’s poem to format in the way the author originally intended, so I am including a screenshot below of the way the text is supposed to appear on screen. It is taken from the Poetry Foundation’s website.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Poem for the Day: September 26th, 2021

The Forage House by Tess Taylor

Altogether Elsewhere by Tess Taylor

They multiply, these cities of the heart,
these rooms we lodge our bodies in.

Brief beds: one California night
I swam between the humpbacked coastal ranges

and woke Scotch-tinged, wet, newly dreaming
to smokestacks and sharp dawn in Queens.

Light split the branches of fresh trees.
A stage-set life implied itself from props.

Now morning— pigeon flocks, construction sites,
a Western freeway's glint, a garden filled

with verbena, sage, my childhood light—
this midsummer, too, will go so soon.

O unfinishable homes: You each feel so real so briefly.
I feel you incomplete me, incompletely.

The Forage House by Tess Taylor was published in 2013 by Red Hen Press and is now available to order wherever books are sold.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

From the Gram: Do I Need More Books?

As Ariana Grande once famously sang, “I see it. I like it. I want it. I got it.” Was Ariana in a bookstore? I mean, probably.

What a silly question, right? You can never have too many books. People in my life have frequently called me a book hoarder, but I’d like to think I’m a book curator. I am telling the story of my life via the books I choose to own and display. Whether or not that’s just making an excuse, I really don’t care at this point. As Ariana Grande once famously sang, “I see it. I like it. I want it. I got it.” Was Ariana in a bookstore? I mean, probably.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Poem for the Day: September 25th, 2021

Tongues by Justin Danzy

Becoming the raspberry stain on the pink of   your cheek,
a tongue’s soft landing spot. Becoming the empty ritual,
what can’t be said. Becoming intercession, my language
becoming yours, the blessing of tongues. Becoming the river
in the belly, implanted language, dead boy’s song. Becoming dry
with manhood. Becoming the doors we’ve closed, those I’ve learned
to open with a tongue. Becoming seen in the body, witnessed, becoming
clarity, the fear of it. Becoming the name I’ve been given,
the honorific, a placeholder. Becoming postured
to my Father’s dilemma, the inherited tongue. Becoming
what I wish I could be on my own. Becoming kept,
becoming stolen, becoming made free to leave when I am not yet ready
to go. Becoming the might of what we serve, the oft-
invisibled. Becoming don’t look back, pillar of salt. Becoming idoled.
Becoming possessed. Becoming the body’s mettle, the tongue’s chisel.
Becoming compass. Becoming the help that I needed, my Father’s hidden
forgiveness. Becoming the secrets I hope to taste in you,
the wounded tongue, braided blood covenant. Becoming forbidden’s
starting point, a bold beginning, the flaying of   what I do not yet know I believe.

“Tongues” appears in the September 2021 issue of Poetry, which is now available to buy from newsstands everywhere or to read on the Poetry Foundation’s website.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.