Choose, everyday to forgive yourself. You are human, flawed, and most of all worthy of love.
Alison Malee
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
What is sometimes called a tongue of flame or an arm extended burning is only the long red and orange branch of a green maple in early September reaching into the greenest field out of the green woods at the edge of which the birch trees appear a little tattered tired of sustaining delicacy all through the hot summer re- minding everyone (in our family) of a Russian song a story by Chekhov or my father
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What is sometimes called a tongue of flame or an arm extended burning is only the long red and orange branch of a green maple in early September reaching into the greenest field out of the green woods at the edge of which the birch trees appear a little tattered tired of sustaining delicacy all through the hot summer re- minding everyone (in our family) of a Russian song a story by Chekhov or my father on his own lawn standing beside his own wood in the United States of America saying (in Russian) this birch is a lovely tree but among the others somehow superficial
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
You don’t have to move mountains. Simply fall in love with life. Be a tornado of happiness, gratitude and acceptance. You will change the world just by being a warm, kind hearted human being.
Anita Krizzan
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
Oh mother, mother, where is happiness? They took my lover's tallness off to war, Left me lamenting. Now I cannot guess What I can use an empty heart-cup for. He won't be coming back here any more. Some day the war will end, but, oh, I knew When he went walking grandly out that door That my sweet love would have to be untrue. Would have to be untrue. Would have to court Coquettish death, whose impudent and strange Possessive arms and beauty (of a sort) Can make a hard man hesitate—and change. And he will be the one to stammer, "Yes." Oh mother, mother, where is happiness?
Today’s poem is taken from “”Appendix to The Anniad: leaves from a loose-leaf war diary”, which first appeared in Annie Allen, published by Harper in 1949.
Gwendolyn Brooks (1917-2000) published more than twenty books of poetry during her lifetime, as well as works in other genres. She was the first Black woman named as consultant in poetry to the Library of Congress, a post now referred to as Poet Laureate. Among numerous awards and accolades, she was the recipient of a Pulitzer Prize, an American Academy of Arts and Letters Award, and a National Endowment for the Arts Award. You can read more about her life and work here.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
If you’ve read this blog for any length of time whatsoever then you know how much I love Margaret Atwood and her work. So, you can imagine my excitement when I saw that she was releasing a new collection of essays, Burning Questions: Essays and Occasional Pieces 2004-2021, due to be published by Doubleday in March of next year. Until then I’ll be here not-so-patiently waiting.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
A Thousand Vowels by Shuri Kido Translated from the Japanese by Tomoyuki Endo & Forrest Gander
A long slope. The strong sun dipped, and finally sank. No matter how long I walked, I stayed in "the middle of the road." The name torn into pieces. Just keeping on, climbing higher and higher, I'd completely forgotten the name. The west wind shifts the typhoon's course, the world, for a few hours, is thrown into confusion. You might name one thing after another, but each loses its name in that same moment. Into what we call "nature." I stood in the middle of nature. And something was missing, the natural was draped in a thin shroud. Vowels scattered, the name went missing. When once more the name "nature" was applied to the desolate-as-ever landscape, immediately, the name began to weather away. What is still losing its name, and what has already lost its name, those two strands entwine around the true name. Those who have wings stay put, howling out their condition over and over, "How fragile we are!" though no one hears them. Thousands of ripples tell a story of benthic anguish. The ripples beach themselves on the name of each anguish, vowels scatter by the thousands over the earth.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
Bird by Bird: Some Instructions on Writing and Life by Anne Lamott
You own everything that happened to you. Tell your stories. If people wanted you to write warmly about them, they should have behaved better.
Anne Lamott, Bird by Bird: Some Instructions on Writing and Life
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
***Note: I received a free digital review copy of this book from NetGalley in exchange for an honest review.***
Like all of Shire’s work, this collection explores themes of immigration, Black womanhood, Muslim identity, mental health, and sexual violence.
Herein the body is more than its corporeal form. It is a border wall limned with barbed wire, a boat tossed on a treacherous sea between nations, a forest aflame, a line of demarcation, a political statement, a war zone, a site of both refuge and terror, a haunted geography, and a mother’s scream, beautiful and terrible. Herein is a voice forged in fire. Bless the Daughter Raised by a Voice in Her Head is perhaps 2022’s most anticipated poetry collection and I for one can say it was worth the long wait.
Like a lot of people, my first experience with Warsan Shire and her poetry came vis-à-vis the visual album for Beyoncé’s Lemonade. For those of you who haven’t watched Lemonade, it is composed of eleven chapters, corresponding with the first eleven songs on the album with names like “Intuition” (for “Pray You Catch Me”) and “Redemption” (for “All Night”). In the interstitial spaces between songs, Beyoncé recites pieces of poetry and prose by Warsan Shire. The British-Somali wunderkind, then relatively-unknown outside of the U.K., was catapulted into the spotlight.
Immediately after listening to Lemonade, I bought Shire’s 2011 chapbook, Teaching My Mother How to Give Birth, which I’ve read several times now. In 2015, she released a chapbook through flipped eye publishing called Her Blue Body, and if you have a copy then you’d be well-advised to hold on tight to it for dear life because I’ve been scouring the Internet for years in search of a copy. I once saw a used copy online for more than $1,000, and if I’d had the money I’d have bought it no questions asked.
Like all of Shire’s work, this collection explores themes of immigration, Black womanhood, Muslim identity, mental health, and sexual violence. I can’t imagine anyone reading it and leaving it unaffected if not completely transformed. Bless the Daughter Raised by a Voice in Her Head is not to be missed.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
Listen. . With faint dry sound, Like steps of passing ghosts, The leaves, frost-crisp'd, break from the trees And fall.
Adelaide Crapsey (1878-1914) is most famous for being the inventor of the cinquain, a poetic form containing five lines. Crapsey’s short and tragic life, coupled with the macabre nature of her work, which deals heavily with death and human suffering, makes her a poet not easily read. However, for the reader brave enough to wade through the murky waters of Crapsey’s sparse oeuvre, her work is richly rewarding. You can read more about Crapsey and her work here.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
Matilda by Roald Dahl and Quentin Blake (Illustrator)
So Matilda’s strong young mind continued to grow, nurtured by the voices of all those authors who had sent their books out into the world like ships on the sea. These books gave Matilda a hopeful and comforting message: You are not alone.
Roald Dahl, Matilda
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.