Poem for the Day: October 25th, 2021

As Kingfishers Catch Fire by Gerard Manley Hopkins

As kingfishers catch fire, dragonflies draw flame; 
As tumbled over rim in roundy wells
Stones ring; like each tucked string tells, each hung bell's
Bow swung finds tongue to fling out broad its name;
Each mortal thing does one thing and the same:
Deals out that being indoors each one dwells;
Selves — goes itself; myself it speaks and spells,
Crying Whát I dó is me: for that I came.

I say móre: the just man justices;
Keeps grace: thát keeps all his goings graces;
Acts in God's eye what in God's eye he is —
Chríst — for Christ plays in ten thousand places,
Lovely in limbs, and lovely in eyes not his
To the Father through the features of men's faces.

Today’s poem was taken from Gerard Manley Hopkins: Poems and Prose, which was published by Penguin Classics in 1985 and is available to purchase wherever books are sold.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Poem for the Day: October 24th, 2021

Resting on the Ground with My Love in the Rattlesnake Habitat by Alice Lyons

She pronounces Chama the name of the milky green river
with a richness in the ch I cannot muster, puts a hard d
on the end of her ands. anD. anD. anD. Like the river
she is asking to be endless anD shifting. To stream.
I’d scouted the knoll of oaks for rattlers, being beyond the bounds
of Coverage having no means to learn their habits.
So I lay down with her on the ground. Their ground. AnD
I willed to forget the cares of my later-in-life job search. Job.
Which is also Job, a man in the Bible. Which is a book.
The oaks of the knoll were leaning into the Chama like girls
washing their hair in basins. I thought of EB shampooing Lota,
of Frost’s birches, of Plath’s Wych elms which I’d like to have
googled. Did snakes favor oak knolls? Did Georgia O’Keeffe worry
about health insurance costs in Abiquiú? AnD beside me my love
streaming, her poodles distantly nosing the chamisa. Standards.
I thought I had them. Put art at the front of the queue
wych is different from quiú. AnD now this. Biblical
the proportions of this breaking-back-into-a-country-I’d-
locked-myself-out-of phase. Was it scenic? I liked
the pachysandra, branches of oak taking all that space
from the sky. But then everybody disappeared to their offices.
Three times I wrote work work work when woke
was what I wanted to write.
Miniature is the acorn
I fingered in the soft flour-sack pocket of my jeans.
Acorn smaller than East Coast or indeed Irish Oak varieties
wych she handed me anD how hungrily I pocketed its little body.

© 2018 Alice Lyons. Among other accolades and recognitions, Lyons has received the Patrick Kavanagh Award for Poetry, the Ireland Chair of Poetry Bursary, and was a Fellow in Poetry at Harvard University’s Radcliffe Institute from 2015-2016. Her most recent collection, The Breadbasket of Europe, was published by Veer Books in 2016 and is now available to purchase wherever books are sold.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Poem for the Day: October 22nd, 2021

SHORELINES by Adil Jussawalla

Bells by Adil Jussawalla

Their bells replaced by tins they rattle,
the city’s lepers don’t mean to warn
but in your face seek the metal you think
they’re worth. For once, for some moments,
as I drop my ransom and make my getaway
— it’s a street that housed the port’s warehouses once —
I hear bells from Surat ringing an evening’s close,
the murmur of crowds dispersing,
watch the harbour’s torches light up a quay
I never stepped on and a grandfather I never met,
his eye on his watch, just beginning to know
how little it takes for a day to be extinguished,
how long for bells to make us believe it has gone.

© 2019 Adil Jussawalla. “Bells” appears in Jussawalla’s collection SHORELINES, which was published in 2019 by Poetrywala and is now available to purchase wherever books are sold.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Poem for the Day: October 21st, 2021

Traveling by Malena Mörling

Like streetlights
still lit
past dawn,
the dead
stare at us
from the framed
photographs.

You may say otherwise,
but there they are,
still here
traveling
continuously
backwards
without a sound
further and further
into the past.

© 2006 Malena Mörling and the University of Pittsburgh Press. “Traveling” appears in Astoria, which was published by the University of Pittsburgh Press in 2006 and is available to purchase wherever books are sold.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Poem for the Day: October 20th, 2021

the tenderness of autumn by Madisen Kuhn

i hold onto 
the way the air feels in october
it brings out the best in me
unlike the violating heat
of august that fills the space between
the dirt and the heavens
only a handful of moons prior to
the golden treetops and the
ritualistic pumpkin and maple
that stir our hearts and reveal
our need for stupid, cheery things

the earth is falling asleep
lying its head to rest
in the fading foliage on the ground
folding up the day into smaller
and smaller glimpses of light
but here i am
bathing in the soft wind
here i am
grinning in a grey sweater
here i am
waking up

© 2018 Madisen Kuhn.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Poem for the Day: October 19th, 2021

Pluto Shits on the Universe by Fatimah Asghar

On February 7, 1979, Pluto crossed over Neptune’s orbit and became the eighth planet from the sun for twenty years. A study in 1988 determined that Pluto’s path of orbit could never be accurately predicted. Labeled as “chaotic,” Pluto was later discredited from planet status in 2006.

Today, I broke your solar system. Oops.
My bad. Your graph said I was supposed
to make a nice little loop around the sun.

Naw.

I chaos like a motherfucker. Ain’t no one can
chart me. All the other planets, they think
I’m annoying. They think I’m an escaped
moon, running free.

Fuck your moon. Fuck your solar system.
Fuck your time. Your year? Your year ain’t
shit but a day to me. I could spend your
whole year turning the winds in my bed. Thinking
about rings and how Jupiter should just pussy
on up and marry me by now. Your day?

That’s an asswipe. A sniffle. Your whole day
is barely the start of my sunset.

My name means hell, bitch. I am hell, bitch. All the cold
you have yet to feel. Chaos like a motherfucker.
And you tried to order me. Called me ninth.
Somewhere in the mess of graphs and math and compass
you tried to make me follow rules. Rules? Fuck your
rules. Neptune, that bitch slow. And I deserve all the sun
I can get, and all the blue-gold sky I want around me.

It is February 7th, 1979 and my skin is more
copper than any sky will ever be. More metal.
Neptune is bitch-sobbing in my rearview,
and I got my running shoes on and all this sky that’s all mine.

Fuck your order. Fuck your time. I realigned the cosmos.
I chaosed all the hell you have yet to feel. Now all your kids
in the classrooms, they confused. All their clocks:
wrong. They don’t even know what the fuck to do.
They gotta memorize new songs and shit. And the other
planets, I fucked their orbits. I shook the sky. Chaos like
a motherfucker.

It is February 7th, 1979. The sky is blue-gold:
the freedom of possibility.

Today, I broke your solar system. Oops. My bad.

© 2015 Fatimah Asghar. “Pluto Shits on the Universe” first appeared in the April 2015 issue of Poetry.

“Pluto Shits on the Universe” is now probably in my top ten favorite poems of all time. I love Asghar’s irreverence here, the way she plays with the multiple meanings of certain words. Consider this part of the poem:

My name means hell, bitch. I am hell, bitch. All the cold
you have yet to feel. Chaos like a motherfucker.
And you tried to order me. Called me ninth.

Order here conveys certain ideas singularly and in conjunction with one another:

Order as “a state in which everything is in its correct or appropriate place”.*

Order as “the arrangement or disposition of people or things in relation to each other according to a particular sequence, pattern, or method”.”

Order as “an authoritative command, direction, or instruction”.*

Order as the opposite of Chaos, in Chaos Theory, which is “an interdisciplinary theory and branch of mathematics focusing on the study of chaos: dynamical systems whose apparently random states of disorder and irregularities are actually governed by underlying patterns and deterministic laws that are highly sensitive to initial conditions”.**

*Definition taken from Oxford Languages

**Definition taken from Wikipedia

There is the forced classification, the imposition of hierarchies, the reification of unnatural (human-made) systems, and the stark dismissal of them all.

Chaos like a motherfucker. / And you tried to order me. Called me ninth. There is an acknowledgment of the would-be controlling outside power and its unequivocal rejection. There is the forced classification, the imposition of hierarchies, the reification of unnatural (human-made) systems, and the stark dismissal of them all.

Today, I broke your solar system. Oops. My bad. Y’all. That slaps.

Fatimah Asghar Recites Her Poem, “Pluto Shits on the Universe”

You can learn more about Fatimah Asghar and her work at her website. Her debut poetry collection, If They Come for Us: Poems, was published by One World in August 2018 and is available to purchase wherever books are sold.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Poem for the Day: October 18th, 2021

Hymn to Intellectual Beauty by Percy Bysshe Shelley

The awful shadow of some unseen Power 
Floats though unseen among us; visiting
This various world with as inconstant wing
As summer winds that creep from flower to flower;
Like moonbeams that behind some piny mountain shower,
It visits with inconstant glance
Each human heart and countenance;
Like hues and harmonies of evening,
Like clouds in starlight widely spread,
Like memory of music fled,
Like aught that for its grace may be
Dear, and yet dearer for its mystery.

Spirit of BEAUTY, that dost consecrate
With thine own hues all thou dost shine upon
Of human thought or form, where art thou gone?
Why dost thou pass away and leave our state,
This dim vast vale of tears, vacant and desolate?
Ask why the sunlight not for ever
Weaves rainbows o'er yon mountain-river,
Why aught should fail and fade that once is shown,
Why fear and dream and death and birth
Cast on the daylight of this earth
Such gloom, why man has such a scope
For love and hate, despondency and hope?

No voice from some sublimer world hath ever
To sage or poet these responses given:
Therefore the names of Demon, Ghost, and Heaven,
Remain the records of their vain endeavour:
Frail spells whose utter'd charm might not avail to sever,
From all we hear and all we see,
Doubt, chance and mutability.
Thy light alone like mist o'er mountains driven,
Or music by the night-wind sent
Through strings of some still instrument,
Or moonlight on a midnight stream,
Gives grace and truth to life's unquiet dream.

Love, Hope, and Self-esteem, like clouds depart
And come, for some uncertain moments lent.
Man were immortal and omnipotent,
Didst thou, unknown and awful as thou art,
Keep with thy glorious train firm state within his heart.
Thou messenger of sympathies,
That wax and wane in lovers' eyes;
Thou, that to human thought art nourishment,
Like darkness to a dying flame!
Depart not as thy shadow came,
Depart not—lest the grave should be,
Like life and fear, a dark reality.

While yet a boy I sought for ghosts, and sped
Through many a listening chamber, cave and ruin,
And starlight wood, with fearful steps pursuing
Hopes of high talk with the departed dead.
I call'd on poisonous names with which our youth is fed;
I was not heard; I saw them not;
When musing deeply on the lot
Of life, at that sweet time when winds are wooing
All vital things that wake to bring
News of birds and blossoming,
Sudden, thy shadow fell on me;
I shriek'd, and clasp'd my hands in ecstasy!

I vow'd that I would dedicate my powers
To thee and thine: have I not kept the vow?
With beating heart and streaming eyes, even now
I call the phantoms of a thousand hours
Each from his voiceless grave: they have in vision'd bowers
Of studious zeal or love's delight
Outwatch'd with me the envious night:
They know that never joy illum'd my brow
Unlink'd with hope that thou wouldst free
This world from its dark slavery,
That thou, O awful LOVELINESS,
Wouldst give whate'er these words cannot express.

The day becomes more solemn and serene
When noon is past; there is a harmony
In autumn, and a lustre in its sky,
Which through the summer is not heard or seen,
As if it could not be, as if it had not been!
Thus let thy power, which like the truth
Of nature on my passive youth
Descended, to my onward life supply
Its calm, to one who worships thee,
And every form containing thee,
Whom, SPIRIT fair, thy spells did bind
To fear himself, and love all human kind.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Poem for the Day: October 17th, 2021

Signs by Larry Levis

All night I dreamed of my home,
of the roads that are so long
and straight they die in the middle—
among the spines of elderly weeds
on either side, among the dead cats,
the ants who are all eyes, the suitcase
thrown open, sprouting failures.

2.
And this evening in the garden
I find the winter
inside a snail shell, rigid and
cool, a little stubborn temple,
its one visitor gone.

3.
If there were messages or signs,
I might hear now a voice tell me
to walk forever, to ask
the mold for pardon, and one
by one I would hear out my sins,
hear they are not important—that I am
part of this rain
drumming its long fingers, and
of the roadside stone refusing
to blink, and of the coyote
nailed to the fence with its
long grin.

And when there are no messages
the dead lie still—
their hands crossed so strangely
like knives and forks after supper.

4.
I stay up late listening.
My feet tap the floor,
they begin a tiny dance
which will outlive me.
They turn away from this poem.
It is almost Spring.

© 2000 University of Pittsburgh Press. “Signs” is taken from The Selected Levis, which was published in 2000 by the University of Pittsburgh Press.

The Selected Levis is available to purchase wherever books are sold.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Poem for the Day: October 16th, 2021

First Course in Turbulence: Poems by Dean Young

The Infirmament by Dean Young

An end is always punishment for a beginning.
If you’re Catholic, sadness is punishment
for happiness, you become the bug you squash
if you’re Hindu, a flinty space opens
in your head after a long night of laughter
and wine. For waking there are dreams,
from French poetry, English poetry,
for light fire although sometimes
fire must be punished by light
which is why psychotherapy had to be invented.
A father may say nothing to a son for years.
A wife may keep something small folded deep
in her underwear drawer. Clouds come in
resembling the terrible things we believe
about ourselves, a rock comes loose
from a ledge, the baby just cries
and cries. Doll in a chair,
windshield wipers, staring off
into the city lights. For years
you may be unable to hear the word monkey
without a stab in the heart because
she called you that the summer she thought
she loved you and you thought you loved
someone else and everyone loved
your salad dressing. And the daffodils
come up in the spring and the snow covers
the road in winter and the water covers
the deep trenches in the sea where all the time
the inner stuff of this earth surges up
which is how the continents are made
and broken.

© 1999 Dean Young. “The Infirmament” is taken from Young’s collection First Course in Turbulence: Poems, which was published by the University of Pittsburgh Press in 1999. You can order it here.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Poem for the Day: October 15th, 2021

Notes from the Camoufleurs by Karen Skolfield

The light in Afghanistan
is not the light in Vietnam.
If  vegetation, describe the leaf.

If  rock, its striation. If city, its doorways
and lintels, its hosting of guests.
Its gestures of welcome and warning.

Describe the wattage of searchlights,
the color of streetlamps, the wakefulness
of men. Describe the cigarette’s blooded eye,

a crimp of smoke. Describe evening’s
lift of heat, the riming of sweat.
If olive trees, describe the olives.

How a fig feels in the hand.
Of the women to be outfitted calculate
their curvatures and needs, if they require

more or fewer pockets for pens.
Determine torso length, musculature,
what weapons may be carried; where

the ammo belt sits, if more men
dress right or left, if concertina wire
bares its teeth every three inches or four.

Study how nature tucks itself into grasses,
study the striping of zebras, the panther’s
darkness, a savannah and the jackal

folded within; how a seal’s belly blends
with the sky when viewed from below.
A ptarmigan feathering into snow.

Describe the mission: peacekeeping
or suppression. Shield or storm.
Consider that a pattern may dazzle

or disrupt. Describe the sight lines:
heat-seeking technology versus scopes.
Scopes versus the sharp-eyed.

When a friend is not always a friend.
When a back might be turned. Consider,
at times, how the jaguar wants to be seen.

© 2020 Karen Skolfield. Today’s poem was taken from the May 2020 issue of Poetry.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.