Poem for the Day: November 18th, 2021

This Is Not a Small Voice by Sonia Sanchez

This is not a small voice
you hear               this is a large
voice coming out of these cities.
This is the voice of LaTanya.
Kadesha. Shaniqua. This
is the voice of Antoine.
Darryl. Shaquille.
Running over waters
navigating the hallways
of our schools spilling out
on the corners of our cities and
no epitaphs spill out of their river mouths.

This is not a small love
you hear               this is a large
love, a passion for kissing learning
on its face.
This is a love that crowns the feet with hands
that nourishes, conceives, feels the water sails
mends the children,
folds them inside our history where they
toast more than the flesh
where they suck the bones of the alphabet
and spit out closed vowels.
This is a love colored with iron and lace.
This is a love initialed Black Genius.

This is not a small voice
you hear.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Poem for the Day: November 16th, 2021

Retired Ballerinas, Central Park West by Lawrence Ferlinghetti

Retired ballerinas on winter afternoons   
          walking their dogs
                      in Central Park West
    (or their cats on leashes—
       the cats themselves old highwire artists)   
The ballerinas
                leap and pirouette
                           through Columbus Circle   
         while winos on park benches
               (laid back like drunken Goudonovs)   
            hear the taxis trumpet together
               like horsemen of the apocalypse   
                               in the dusk of the gods   
It is the final witching hour
                when swains are full of swan songs   
    And all return through the dark dusk   
                to their bright cells
                                  in glass highrises
      or sit down to oval cigarettes and cakes   
                              in the Russian Tea Room   
    or climb four flights to back rooms
                                 in Westside brownstones   
               where faded playbill photos
                        fall peeling from their frames   
                            like last year’s autumn leaves

© 1981 Lawrence Ferlinghetti. “Retired Ballerinas, Central Park West” appears in Ferlinghetti’s collection These Are My Rivers: New and Selected Poems, which was published in 1993 by New Directions Publishing Corporation.

Poem for the Day: November 15th, 2021

[you fit into me] by Margaret Atwood

you fit into me
like a hook into an eye

a fish hook
an open eye

© 1971 Margaret Atwood. “you fit into me” originally appeared in Atwood’s collection Power Politics, which was published in 1971 by House of Anansi Books. Margaret Atwood (1939-) is one of the world’s most beloved writers with more than seventy published works to her credit. You can find a full bibliography of her works here.

Poem for the Day: November 14th, 2021

Lines Written Near San Francisco by Louis Simpson

I wake and feel the city trembling.
Yes, there is something unsettled in the air   
And the earth is uncertain.

And so it was for the tenor Caruso.
He couldn’t sleep—you know how the ovation   
Rings in your ears, and you re-sing your part.

And then the ceiling trembled
And the floor moved. He ran into the street.   
Never had Naples given him such a reception!

The air was darker than Vesuvius.   
“O mamma mia,”
He cried, “I’ve lost my voice!”

At that moment the hideous voice of Culture,   
Hysterical woman, thrashing her arms and legs,   
Shrieked from the ruins.

At that moment everyone became a performer.   
Otello and Don Giovanni   
And Figaro strode on the midmost stage.

In the high window of a burning castle   
Lucia raved. Black horses
Plunged through fire, dragging the wild bells.

The curtains were wrapped in smoke. Tin swords   
Were melting; masks and ruffs
Burned—and the costumes of the peasants’ chorus.

Night fell. The white moon rose   
And sank in the Pacific. The tremors   
Passed under the waves. And Death rested.


2
Now, as we stand idle,
Watching the silent, bowler-hatted man,
The engineer, who writes in the smoking field;

Now as he hands the paper to a boy,
Who takes it and runs to a group of waiting men,   
And they disperse and move toward their wagons,

Mules bray and the wagons move—
Wait! Before you start
(Already the wheels are rattling on the stones)

Say, did your fathers cross the dry Sierras   
To build another London?
Do Americans always have to be second-rate?

Wait! For there are spirits
In the earth itself, or the air, or sea.   
Where are the aboriginal American devils?

Cloud shadows, pine shadows
Falling across the bright Pacific bay ...   
(Already they have nailed rough boards together)

Wait only for the wind
That rustles in the eucalyptus tree.   
Wait only for the light

That trembles on the petals of a rose.
(The mortar sets—banks are the first to stand)   
Wait for a rose, and you may wait forever.

The silent man mops his head and drinks   
Cold lemonade. “San Francisco   
Is a city second only to Paris.”


3
Every night, at the end of America
We taste our wine, looking at the Pacific.   
How sad it is, the end of America!

While we were waiting for the land   
They’d finished it—with gas drums
On the hilltops, cheap housing in the valleys

Where lives are mean and wretched.   
But the banks thrive and the realtors   
Rejoice—they have their America.

Still, there is something unsettled in the air.   
Out there on the Pacific   
There’s no America but the Marines.

Whitman was wrong about the People,
But right about himself. The land is within.
At the end of the open road we come to ourselves.

Though mad Columbus follows the sun   
Into the sea, we cannot follow.
We must remain, to serve the returning sun,

And to set tables for death.
For we are the colonists of Death—
Not, as some think, of the English.

And we are preparing thrones for him to sit,   
Poems to read, and beds   
In which it may please him to rest.

This is the land
The pioneers looked for, shading their eyes   
Against the sun—a murmur of serious life.

© 1988 Louis Simpson. “Lines Written Near San Francisco” first appeared in Simpson’s Collected Poems, which was published in 1988 by Paragon House. Louis Simpson (1923-2012) was born in Kingston, Jamaica and moved to the United States when he was 17 years old to study at Columbia University. Though his studies were briefly interrupted by military service, he eventually returned to New York and worked for a time as an editor before earning his Ph.D. A contemporary of poets like Sylvia Plath and Robert Lowell, Simpson won the Pulitzer Prize for Poetry in 1964 for his collection At the End of the Open Road.

Poem for the Day: November 13th, 2021

The Letter by Mary Ruefle

Beloved, men in thick green coats came crunching
through the snow, the insignia on their shoulders
of uncertain origin, a country I could not be sure of,
a salute so terrifying I heard myself lying to avoid
arrest, and was arrested along with Jocko, whose tear
had snapped off, a tiny icicle he put in his mouth.
We were taken to the ice prison, a palace encrusted
with hoarfrost, its dome lit from within, Jocko admired
the wiring, he kicked the walls to test the strength
of his new boots.  A television stood in a block of ice,
its blue image still moving like a liquid center.
You asked for my innermost thoughts.  I wonder will I
ever see a grape again?  When I think of the vineyard
where we met in October—when you dropped a cluster
custom insisted you be kissed by a stranger—how after
the harvest we plunged into a stream so icy our palms
turned pink.  It seemed our future was sealed.  Everyone
said so.  It is quiet here.  Not closing our ranks
weakens us hugely.  The snowflakes fall in a featureless
bath.  I am the stranger who kissed you.  On sunny days
each tree is a glittering chandelier.  The power of
mindless beauty!  Jocko told a joke and has been dead
since May.  A bullethole in his forehead the officers
call a third eye.  For a month I milked a barnful of
cows.  It is a lot like cleansing a chandelier.  Wipe
and polish, wipe and polish, round and round you go.
I have lost my spectacles.  Is the book I was reading
still open by the side of our bed?  Treat it as a bookmark
saving my place in our story.
 
(here the letter breaks off)

Poem for the Day: November 12th, 2021

This Room and Everything in It by Li-Young Lee

Lie still now
while I prepare for my future,
certain hard days ahead,
when I’ll need what I know so clearly this moment.

I am making use
of the one thing I learned
of all the things my father tried to teach me:
the art of memory.

I am letting this room
and everything in it
stand for my ideas about love
and its difficulties.

I’ll let your love-cries,
those spacious notes
of a moment ago,
stand for distance.

Your scent,
that scent
of spice and a wound,
I’ll let stand for mystery.

Your sunken belly
is the daily cup
of milk I drank
as a boy before morning prayer.
The sun on the face
of the wall
is God, the face
I can’t see, my soul,

and so on, each thing
standing for a separate idea,
and those ideas forming the constellation
of my greater idea.
And one day, when I need
to tell myself something intelligent
about love,

I’ll close my eyes
and recall this room and everything in it:
My body is estrangement.
This desire, perfection.
Your closed eyes my extinction.
Now I’ve forgotten my
idea. The book
on the windowsill, riffled by wind . . .
the even-numbered pages are
the past, the odd-
numbered pages, the future.
The sun is
God, your body is milk . . .

useless, useless . . .
your cries are song, my body’s not me . . .
no good . . . my idea
has evaporated . . . your hair is time, your thighs are song . . .
it had something to do
with death . . . it had something
to do with love.

Books with Buzz: New and Forthcoming in November 2021

I feel like publishers really stack the deck (or TBR pile, if you will) with November releases. They know the season for gift-giving is just around the bend and therefore the biggest titles of the year usually release in the weeks leading up to Hanukkah and Christmas. Below are some of the titles I’m most looking forward to picking up myself this season or considering getting as gifts. Links are included. Happy reading!

The Family: A Novel by Naomi Krupitsky

Publication Date: November 2nd, 2021

Publisher: Putnam

Page Count: 368

A Book of the Month Club pick as well as Jenna Bush Hager’s Read With Jenna selection for November 2021, The Family couldn’t have been released at a better time. For one thing, The Many Saints of Newark: A Sopranos Story, a prequel film to HBO’s The Sopranos, just came out on October 1st. While its theater performance was lackluster, it was a steaming hit on HBO Max and reignited interest in the original series as well as all things mafia in general.

Now, yours truly really appreciates the font on the cover, which serves as a none-too-subtle nod to Mario Puzo’s The Godfather. After all, it’s what made me pick up the book in the first place. There are some who would say that stories centering the families of organized crime had their heyday long ago, and who am I to tell someone they’re wrong? The Voracious Bibliophile, that’s who! For God’s sake, let us have our mobsters!!!

The Family tells the story of Sofia Colicchio and Antonia Russo, two Italian-American women raised in an insular Brooklyn community where their families’ business interests force them to hold the rest of the world at bay, forging them together into a bond not easily broken. The secrets of their world threaten that bond as they grow up, though, and only time will tell if the threads of their friendship will knit back together or fray past the point of repair.

Kirkus gave The Family a lukewarm-at-best review, calling it “a little too facile” and “readable but somewhat shallow”. Kruptisky’s novel is also negatively compared to the work of Elena Ferrante, but it’s not really fair to measure anyone in comparison to Ferrante, whose Neapolitan Novels quite literally changed my life. This was one of my Book of the Month Club picks for November and my box came the other day, so I will let you know my thoughts when I’m able to dig into it.

Win Me Something: A Novel by Kyle Lucia Wu

Publication Date: November 2nd, 2021

Publisher: Tin House

Page Count: 280

The Adriens are a manifestation of Willa’s wildest dreams, embodying the ideal family dynamic she always wanted but never had and living out a version of upper-middle-class life she has always craved but to which she never had access.

Win Me Something tells the story of Willa Chen, who while working as a waitress in Brooklyn gets the opportunity to work as a nanny for the Adrien family. The Adriens are a manifestation of Willa’s wildest dreams, embodying the ideal family dynamic she always wanted but never had and living out a version of upper-middle-class life she has always craved but to which she never had access.

As the mixed-race daughter of a Chinese immigrant father and white American mother, Willa longs for an uncomplicated history, one devoid of the racism she experiences due to her biracial identity and the bifurcations that always accompany being a child of divorce shuffled between two families, neither of which fully belong to her. Once she starts working for the Adriens, she begins to learn more about herself and the life she’s led up until now, finding that even when life is imperfect it can still be good.

Don’t expect any big reveals or melodramatics characteristic of “nanny fiction”. No husband-nanny adultery or child murder. No long-held secrets bubbling to the surface. If you’re looking for something more salacious like that, check out my Nefarious Nannies Reading List.

I Hope This Finds You Well: Poems by Kate Baer

***Note: I was lucky enough to receive a free digital review copy of this book courtesy of NetGalley and the publisher. You can read my review here.***

Publication Date: November 9th, 2021

Publisher: Harper Perennial

Page Count: 96

It’s a beacon of light as well as a sea of middle fingers raised high. Don’t miss it.

Kate Baer’s newest collection is nothing short of a reclamation. The “found poems” herein are crafted from missives sent to Baer online by detractors and fans alike. The detractors range from the annoying and intrusive to the outright abusive, and Baer takes no prisoners in transforming their vitriol into their vanquishment, their viciousness into her own sweet victory.

The detractors range from the annoying and intrusive to the outright abusive, and Baer takes no prisoners in transforming their vitriol into their vanquishment, their viciousness into her own sweet victory.

Baer’s experiences online are as old as the Internet itself. I’m sure the behaviors, if not the platforms themselves, date back much farther. The women living in the 21st century are dealing with the same crap that the women dealt with who were alive before Christopher Columbus sailed the ocean blue. The simple fact is men don’t like women who dare to be complex people in the public sphere. They prefer them to be silent and demure, to cow and coo, to be healthy but thin, outgoing yet deferential, smart yet never sassy, and above all, subservient. Well, pardon my French, but to hell with all of that!

Baer’s collection is perfect for anyone who has ever been subjected to unsolicited feedback about their words, their body, or their very existence. It’s a beacon of light as well as a sea of middle fingers raised high. Don’t miss it.

Bonus: Midtown Scholar Bookstore of Harrisburg, Pennsylvania is hosting a livestream discussion between Kate Baer and Maggie Smith about Baer’s new book. It’s free and open to the public but requires registration, so if you’re interested, I’m posting the link below:

https://www.midtownscholar.com/calendar/2021/11/11/kate-baer-in-conversation-with-maggie-smith-i-hope-this-finds-you-well

Please note that while the event itself is free, Midtown is also selling signed copies of Baer’s book, which you can order here.

The Perishing: A Novel by Natashia Deón

Publication Date: November 9th, 2021

Publisher: Counterpoint

Page Count: 320

Natashia Deón’s dazzling new novel was an early release pick for the Book of the Month Club and to be perfectly honest, the cover alone was enough for me to have it included in my box. The Perishing tells the story of Lou, an immortal Black woman who wakes up in an alley with no memory in 1930s Los Angeles. She has visions of a man’s face which she draws as she tries to make sense of who she is and where she came from. The premise immediately made me think of NBC’s Blindspot, as well any of a number of 40s films noir.

During the course of the novel, Lou also becomes the first female journalist for the LA Times, breaking stories of crime and vice during the era of Prohibition, which when you add in the fantasy elements make The Perishing a very intriguing read.

I am so giddily excited for this book and Natashia Deón in general. Is anyone else already casting the screen adaptation? Someone call Shonda Rhimes already and let’s get this going! *coughs* Janelle Monáe *coughs*

Bonus: Read Natashia Deón’s ‘The Perishing’ Takes Us on a Ride Through Time, Love, and Reckoning in America, an interview with Natashia Deón by Sarah Nelson for Shondaland

Will by Will Smith and Mark Manson

Publication Date: November 9th, 2021

Publisher: Penguin Press

Page Count: 432

🎤 West Philadelphia, born and raised 🎤

If you start singing this and the person you’re with doesn’t start singing it with you, that is a warning sign from God that you’d be remiss to ignore.

Will Smith first rose to prominence through his starring role on NBC’s The Fresh Prince of Bel-Air. The show ran for six seasons and after its conclusion, Smith was able to transition from television to blockbuster films rather seamlessly. Now, in addition to being a producer and one of Hollywood’s most bankable stars, the Grammy Award winner and Academy Award nominee can add author to his CV.

Co-written with Mark Manson, the #1 New York Times bestselling author of The Subtle Art of Not Giving a F*ck, Will is a celebrity memoir I’m very much looking forward to reading.

Bonus: Read The Fresh Prince of Belles-Lettres? Will Smith Has a Memoir. by Alexandra Jacobs for The New York Times

Feel Your Way Through: A Book of Poetry by Kelsea Ballerini

***Note: I was lucky enough to receive a free digital review copy of this book courtesy of NetGalley and the publisher. You can read my review here.***

Publication Date: November 16th, 2021

Publisher: Ballantine Books

Page Count: 144

Anyone familiar with Kelsea Ballerini’s music knows she’s a gifted storyteller, and her abilities shine through just as strong in her poetry as they do in her songcraft. Following a recent spate of singer-celebrity poetry collections, Ballerini’s Feel Your Way Through is fearsome and original, baring her soul on every page. Is this collection going to win (or even be nominated) for a Pulitzer Prize? Of course not. But you don’t have to be Walt Whitman to say something worthwhile and true about the human experience. Honestly, the elitism and pedantry surrounding what qualifies as poetry, especially “good” poetry, is a crock of 🐴 💩 anyway. Herein, Ballerini tells the truth as she sees it, and that’s more than good enough for me.

These Precious Days: Essays by Ann Patchett

Publication Date: November 23rd, 2021

Publisher: Harper

Page Count: 336

She is, in my opinion, one of the greatest living American nonfiction writers.

Publisher’s Weekly calls Ann Patchett’s newest book a “moving collection not easily forgotten,” but I don’t know if I have the emotional capacity to withstand a new essay collection by Ann Patchett, especially since Red (Taylor’s Version) drops on the 14th and 30 by Adele drops just five days later on the 19th. Ann Patchett’s writing always makes me feel some kind of way and judging from the snippets I’ve gleaned from These Precious Days, it will not be the exception to the rule.

Consider the first two sentences of this excerpt furnished to CBS News:

Did I tell you I loved my father, that he loved me? Contrary to popular belief, love does not need understanding to thrive.
Ann Patchett, These Precious Days: Essays

She has such an inimitable way of pulling the reader in, pushing them back, allowing them to flail for a little while, and then pulling them back in again. She is, in my opinion, one of the greatest living American nonfiction writers. In fact, the only writer I can currently think of who surpasses her in reticent emotional resonance is Joan Didion, long may she live.

Bonus: Read my review of Truth & Beauty, which I called “an exquisitely written and heartfelt evocation of a friendship”.

Don’t judge me if I don’t pick this one up until mid-December, although you can pretty much guarantee I’ll own it before then.

Poem for the Day: November 9th, 2021

…the way Corral repeats and inverts the imagery of thorns and honey in the first and last lines of the poem lend it a freshness and vivacity not always seen in (unrequited) love poems.

Autobiography of My Hungers by Eduardo C. Corral

His beard: an avalanche of   honey,
                   an avalanche
of  thorns. In a bar too close to the Pacific,
                            he said, “I don’t love you,
               but not because I
couldn’t be attracted to you.” Liar—
                                     even my soul
is potbellied. Thinness,
         in my mind, equals the gay men
                                      on the nightly news.
        Kissed by death & public scorn.
The anchorman declaring,
                             “Weight loss is one
        of the first symptoms.” The Portuguese
have a word for imaginary, never-
                   to-be-experienced love.
                                      Whoop-de-doo.
        “I don’t love you,” he said.
The words flung him back—
                            in his eyes, I saw it—
         to another bar
where a woman sidestepped his desire.
                  Another hunger.
                                    Our friendship.
In tenth grade, weeks after
                             my first kiss, my mother
said, “You’re looking thinner.”
         That evening, I smuggled a cake
                                      into my room.
I ate it with my hands,
                   licked buttercream off
                            my thumbs until I puked.
         Desire with no future,
bitter longing—
                   I starve myself  by yearning
          for intimacy that doesn’t
                                        & won’t exist.
Holding hands on a ferry. Tracing,
                   with the tip of my tongue,
a  jawline. In a bar too close
                                to the Pacific, he said,
“I don’t love you, but not
          because I couldn’t be attracted to you.”
                                    His beard:
an avalanche of thorns,
                  an avalanche of honey.

I love the way Corral compares unrequited love to boundless hunger in this poem. Comparing the desire for food with the desire for love or sex is far from new—one need only watch Tom Jones (1963) to see a perfect example—but the way Corral repeats and inverts the imagery of thorns and honey in the first and last lines of the poem lend it a freshness and vivacity not always seen in (unrequited) love poems.

Do you have a favorite poem comparing unrequited love with physical hunger? Let me know in the comments or shoot me an email.

Books by Eduardo C. Corral (With Purchase Links)

*Slow Lightning (Yale Series of Younger Poets)* by Eduardo C. Corral and Carl Phillips (Foreword)

*Guillotine: Poems* by Eduardo C. Corral

Poem for the Day: November 8th, 2021

Night Work by Ed Bok Lee

All summer, the city engine's low
roar capsizes our bodies into sleep,
groans,
                evacuation—
                                                   Lost to a watery
anamnesis so warm it requires a raft
thatched from death's
                                         flotsam to necklace its shore

                              I swim on, calling your name

In my dreams, something is always deserting

But tonight, no fast shadows of birds
No oceanic flowers disrobing butterflies
or bright beach of child's porridge and bones—

                                                                                 Instead, someone weaving

a net from fallen hair in and around our bed
to catch the breath, blood, and ritual
motions that oiled us
                                            as one candle in a cave

In your dreams, someone is always resisting being saved

My teeth are on fire, you say I said

Don't fly for the labyrinth, once
I thought you were admonishing me to go away
I don't remember most others, a thousand seasons
phonographed in through a wounded window

Everyone can't have a cactus

Just o.k. empty all the rice from my legs

Once I awoke screaming, paws red-hot embers
You opened my mouth and poured a night-cold river in

Once you died and my heart fished all winter

Once we were eating lunch inside a kiln

Once you thought you smelled death,
but the lavender farm was too large to shave

On the fifth straight morning I'd dreamt of water
I stared at your face, its nacreous lids, 
and I swear I could see a Glorious Ghost shifting
over your sun-warm waves

Water my birth sign, and one day my mother's death
that protect-fills my love with sadness

There, in words to my coworkers
it was still dripping, in my nods
over a galapagos of pages and forms

All love is immigrant, that autumn apparently
I mumbled

Your reply, after days: Turn off the steam in the trees

Somewhere right now, two lovers are conversing
without even knowing what their lives mean

One's heart gazelle-quick to survey a mountain his dead
              father is always vandalizing
The other frequently misplacing her hair, ears, or self-
sabotaging a crime

One usually struggling to stay alive
The other often untethering something

Or is it my mitochondria that powder-sugars the moon?
And you calcifying a promise inside to inscribe?

There is a dominion where inverses
invert until only terror, love, and imagination cling,

heavy, on human branches—enter your vista, phylum
unsequenced, dimmer deeds

Can you hear it tonight?
Wind in iron jars buried inside the living:
Grandmothers, past spouses, cable men, priests

Now! I finally manage
as our train smokes out all the rats on their bed of leaves

All night, I dive
down to the soft structures of some blue civilization's faith

In this myth of life, I keep forgetting whose ideas and
              sensations I'm supposed to be

Come morning: rain, trees, silvery
sleet
              and daily, this new fresh bounty
                                                                        we share, side by side
like angels coming home from work at a pearl factory

All Aboard the ARC: I Love You, Call Me Back: Poems by Sabrina Benaim

***Note: I received a free digital review copy of this book from NetGalley in exchange for an honest review.***

Sabrina Benaim has gifted us with a collection that is both a blueprint for grief and a roadmap to help us find our way out of it.

With I Love You, Call Me Back, Sabrina Benaim has gifted us with a collection that is both a blueprint for grief and a roadmap to help us find our way out of it. It’s not an easy task to meld hope and despair together in the same poem without coming off as maudlin or worse, melodramatic, but Benaim manages to do so with the grace and panache of an assured stylist.

Her voice rings so clear and true that while reading her new collection I felt like I was having a conversation with an old friend, one with whom I could share my highest hopes and biggest fears. After the past nineteen months of dealing with the isolation brought on by the COVID-19 pandemic, finally someone is saying that everything is not okay, but it will be eventually. And in the meantime, we can hold space for small joys, of which I count this poetry collection as one of them.

I Love You, Call Me Back: Poems was released by Plume, a division of Penguin Random House, on October 19th, 2021 and is now available to purchase wherever books are sold.

Tag: poetry collections

Poem for the Day: November 18th, 2021

This Is Not a Small Voice by Sonia Sanchez

Poem for the Day: November 16th, 2021

Retired Ballerinas, Central Park West by Lawrence Ferlinghetti

Poem for the Day: November 15th, 2021

[you fit into me] by Margaret Atwood

Further Reading

Poem for the Day: November 14th, 2021

Lines Written Near San Francisco by Louis Simpson

Poem for the Day: November 13th, 2021

The Letter by Mary Ruefle

Poem for the Day: November 12th, 2021

This Room and Everything in It by Li-Young Lee

Books with Buzz: New and Forthcoming in November 2021

The Family: A Novel by Naomi Krupitsky

Win Me Something: A Novel by Kyle Lucia Wu

I Hope This Finds You Well: Poems by Kate Baer

The Perishing: A Novel by Natashia Deón

Will by Will Smith and Mark Manson

Feel Your Way Through: A Book of Poetry by Kelsea Ballerini

These Precious Days: Essays by Ann Patchett

Poem for the Day: November 9th, 2021

Autobiography of My Hungers by Eduardo C. Corral

Books by Eduardo C. Corral (With Purchase Links)

Poem for the Day: November 8th, 2021

Night Work by Ed Bok Lee

All Aboard the ARC: I Love You, Call Me Back: Poems by Sabrina Benaim