Film Review: A Lady Without Passport (1950); Directed by Joseph H. Lewis

Film poster for A Lady Without Passport (1950); directed by Joseph H. Lewis.

Review

A Lady Without Passport was the Noir Alley selection on TCM for September 14th. For those of you who are unfamiliar with Noir Alley, it is my favorite programming block on TCM (Turner Classic Movies) and it showcases films in the film noir genre. While I’ll fallen off from time to time due to work and school commitments, I’ve been a devout viewer and fan from the beginning. Eddie Muller, the host, is one of my favorite people. His encyclopedic knowledge of film noir as well as his verbose intros and outros, make him an excellent host.

I can’t exactly blame him [Lewis] for bilking the King Brothers for a chance at making a film with the bright lights, big-budget “Tiffany” studio MGM, but there’s something to be said about less money, more creative control, and the way tighter purse strings spur innovation.

One of the best things about Eddie is his straight-shooter, no-nonsense analyses. When something doesn’t quite land or is, to be frank, hot garbage with interesting window dressing, he says so. I’ve taken a few days to digest A Lady Without Passport and to be honest, it’s shocking to the system that this is the film Joseph H. Lewis made directly after Gun Crazy. I can’t exactly blame him for bilking the King Brothers for a chance at making a film with the bright lights, big-budget “Tiffany” studio MGM, but there’s something to be said about less money, more creative control, and the way tighter purse strings spur innovation.

Mostly, I’d say that I concur with what The New York Times had to say about the film*:

Romance is slightly more important than reason in this number and while the scenery, meaning Havana and Florida, is authentic and picturesque, the goings-on are as intriguing as those in any garden variety melodrama. The ring of connivers who are dedicated to smuggling aliens into this country get their come-uppance but it hardly seems worth all the effort.

I’m not disappointed I watched the movie, not least of all because John Hodiak was exceedingly handsome in the picture, but I don’t really think it bears repeat viewing either.

I’m not disappointed I watched the movie, not least of all because John Hodiak was exceedingly handsome in the picture, but I don’t really think it bears repeat viewing either. If you’re looking for a good John H. Lewis film to watch, Gun Crazy is a much better choice (and it does bear repeat viewing).

*The quote was taken from a review in The New York Times titled “Hedy Lamarr as ‘Lady Without Passport’” (linked here).

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Book Review: Havana Nocturne by T.J. English

Audiobook cover of Havana Nocturne by T.J. English

***Note: I read the unabridged audiobook version of Havana Nocturne, which was narrated by Mel Foster. It is available to order wherever audiobooks are sold.***

The post-Prohibition years brought the United States Mob a lot of unwanted governmental scrutiny. Gone were the days where they could do pretty much whatever they liked and get away with it. Gone was the unchecked commercialization of vice and sin that filled the Mob’s coffers and lined the pockets of more than a few corrupt politicians. No, the Mob knew that if it was to remain a dominant force, a new playground would need to be found. Luckily for the Mob, Havana was ripe for the picking.

Gone was the unchecked commercialization of vice and sin that filled the Mob’s coffers and lined the pockets of more than a few corrupt politicians.

Truth be told, the convergence of circumstances couldn’t have been more perfect. While the Mob could no longer count on a complacent government to turn a blind eye at home, Cuba in the 1950s was suffering under the brutal and repressive regime of Fulgencio Batista, a cruel and avaricious tyrant if ever one drew breath. Meyer Lansky, one of the most infamous gangsters of that era, got himself, Charles “Lucky” Luciano, and their compatriots in good with Batista and started building casinos, hotels, and other entertainment venues in Havana. As long as Batista received his cut, the Mob was free to turn Havana into a kind of alternative Eden, a place where any sort of illicit fun could be had—for the right price, of course.

As long as Batista received his cut, the Mob was free to turn Havana into a kind of alternative Eden, a place where any sort of illicit fun could be had—for the right price, of course.

What Lansky, Luciano, and Batista failed to realize is that there were other players at the table with agendas of their own. Fidel Castro and his 26th of July Movement was determined to overthrow Batista’s regime and usher in a new era for Cuba, one based on Marxist-Leninist principles as well as egalitarianism.

Fidel Castro being questioned by reporters, date and location unknown

From 1956 to 1958, Castro and his fellow revolutionaries staged their uprising and engaged in guerrilla warfare on both urban and rural fronts, all culminating in the Battle of Santa Clara on January 1st, 1959. Led by Che Guevara, the battle was a decisive victory for the rebels as it led to Batista’s departure to the Dominican Republic (ruled at that time by former ally Rafael Trujillo) and allowed Castro to seize power. The Mob’s playground had new kids on the swings. The rest as they say is history.

Che Guevara after the Battle of Santa Clara

T.J. English’s book is impeccably researched and expertly told, making the narrative equally compelling for those familiar with the story as well as those who are reading about it for the first time. Havana Nocturne is not to be missed.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please follow, like, comment, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at thevoraciousbibliophile@yahoo.com or catch me on Twitter @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.