
When a shy person smiles, it’s like the sun coming out.

When a shy person smiles, it’s like the sun coming out.

In this moment, you’re still breathing. In this moment, you’ve survived. In this moment, you’re finding a way to step onto higher ground.
I’ve read What I Know For Sure twice and I keep coming back to this quote. It’s easy to become bogged down by the accretion of worries and problems that we never really seem to have time to process before we have to tackle the next challenge. Remembering this quote helps me to get through by living moment to moment—by living mindfully. I can take stock in each moment when I feel overwhelmed and know that as of right now, I have everything I need. Right now, I am still breathing. Right now, my family is safe, healthy, and provided for. Right now, I am capable of doing what I have to do. Right now. Right now. Right now.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter and Instagram @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

I am a little world made cunningly
Of elements and an angelic sprite
But black sin hath betray’d to endless night
My world’s both parts, and on both parts must die.
You which beyond that heaven which was most high
Have found new spheres, and of new lands can write,
Pour new seas in mine eyes, that so I might
Drown my world with my weeping earnestly,
Or wash it, if it must be drown’d no more.
But oh it must be burnt; alas the fire
Of lust and envy have burnt it heretofore,
And made it fouler; let their flames retire,
And burn me O Lord, with a fiery zeal
Of thee and thy house, which doth in eating heal.
John Donne (1572-1631), in addition to being arguably England’s chief metaphysical poet, also served as a cleric in the Anglican Church. He was made Dean of St. Paul’s Cathedral in 1621, where he spent the last decade of his life preaching and writing.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter and Instagram @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

I own my self, I own my leaving
Jorie Graham, Sea Change: Poems
I feel like Jorie Graham is one of those poets who just gets it. Her work seems to come from this wellspring of hidden and ancient knowledge, accessible only to a few people who are willing to dig, to seek, and then finally to see. I love this entire collection, but those eight words right there say everything. I own my self, I own my leaving. Carve that on my headstone, please. When birds are relieving themselves on my resting place, let these be the words that passersby can see.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter and Instagram @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

They kept showing up, for days,
dead on the windowsill,
and for days I did nothing about the ladybugs
except to ask if their entering the house
unnoticed and dying before I saw them
was symbolic.
Thinking was so easy.
They symbolized birth and death,
change and rebirth.
It was also possible the tiny beetles
embodies an inborn need
to show themselves,
to turn up in every and any place,
even as the dried out remains of the once-lively.
Or they stood for the burden of being one thing
relieved by becoming another,
which all the world’s children suffer.
This went on and on, and could’ve gone on
forever, so I finally opened the window
and blew them into the wide open
because everything and everyone should get a
chance
to be mourned, and they got theirs,
but first they had to die, which is life,
not symbolism.
Copyright © 2017 by Hayan Charara. Originally published in Poem-a-Day on August 25, 2017, by the Academy of American Poets.

Every recorded story implies a future reader.
Margaret Atwood
Today’s quote by Margaret Atwood has been stuck in my brain ever since I first came across it. If memory serves me correctly, I believe it was in a new introduction by Atwood to her novel The Handmaid’s Tale, which if you haven’t already read, there’s no better time than the present.
The written word is our receptacle for memory. Without documentation, we have no history, no blueprint for the future, and no constancy to purpose in terms of our collective attempt at living what many philosophers have called the good life. Every time we write, we are holding in our psyches the implied future reader Atwood references. Even if we never write with the intention of publishing our work in mind, there is still a knowing behind committing your thoughts to paper, a compact between yourself and those who may stumble across your words in the future.
Without documentation, we have no history, no blueprint for the future, and no constancy to purpose in terms of our collective attempt at living what many philosophers have called the good life.
When I was a library worker, we got book donations all the time, oftentimes daily. Most of the books were, forgive me, ready for the rubbish bin, but every now and again a folded scrap of paper would fall out with someone’s gnarled script on it and I’d have a new treasure. Most of them I didn’t keep because they were things like checklists or grocery lists or other ephemeral scraps, but there’s one I still have in my possession: a decades-old scrap of notebook paper with a poem on it. It is one of my most treasured possessions.
I was the implied future reader. And this is how we are connected, invisibly and irrevocably.
Perhaps one day I’ll share it on here. The point is I have carried that poem in my heart for years and I don’t even know the author. Only a first name and a date are listed but I think about the writer often. In the poem, they are beseeching God for answers because they’ve lost something (or someone, more likely) dear to them. This person may be long gone by now, passed into eternity, but I still pray for them. I wonder how their life turned out. I was the implied future reader. And this is how we are connected, invisibly and irrevocably.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter and Instagram @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

——
Nothing will penetrate your sorrow.
Or your loneliness.
This I know.
And yet
here I am singing
a song about doors
at the bottom of dark wells
stuffed already
with rats and corpses.
Here I am telling you
that in reality
and as improbable
as it may seem:
There is no (doorless)
bottom
to this life.

Your vision will become clear only when you look into your heart. Who looks outside, dreams. Who looks inside, awakens.
Carl Jung

So many want to be blessed.
I only want to kneel in a quiet room.
To love what we have or not exist
at all. Nothing to help me sleep.
Only a scrap of paper slipped
into my hand: Your body an ocean,
a song without end. Votive candles
flickering in the dark that made us
larger than life: hip-thrust,
back-arch, mouth-grip, you on top
till we collapsed in the coiled
springs that came to rest. A chair
where you once sat. A bowl of fruit
neither one of us would touch.
The most resonant part of Vespers for me is the line, “Only a scrap of paper slipped / into my hand: Your body an ocean, a song without end.” So enthralled was I by that particular imagery that I made this little ditty, which I sincerely hope you’ll enjoy (Note: The image is a royalty-free stock image—I have simply added the words to the note in the center):

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter and Instagram @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

My mother would look at me and she’d say, ‘Kamala, you may be the first to do many things, but make sure you are not the last.’
Kamala Harris