Listen. . With faint dry sound, Like steps of passing ghosts, The leaves, frost-crisp'd, break from the trees And fall.
Adelaide Crapsey (1878-1914) is most famous for being the inventor of the cinquain, a poetic form containing five lines. Crapsey’s short and tragic life, coupled with the macabre nature of her work, which deals heavily with death and human suffering, makes her a poet not easily read. However, for the reader brave enough to wade through the murky waters of Crapsey’s sparse oeuvre, her work is richly rewarding. You can read more about Crapsey and her work here.
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They were women then My mama’s generation Husky of voice—stout of Step With fists as well as Hands How they battered down Doors And ironed Starched white Shirts How they led Armies Headragged generals Across mined Fields Booby-trapped Ditches To discover books Desks A place for us How they knew what we Must know Without knowing a page Of it Themselves.
I first read “Women” as a high school freshman, memorizing and reciting it for extra credit. Later on, it grew in significance for me when I read Their Eyes Were Watching God by Zora Neale Hurston and learned that if not for Alice Walker, Hurston’s great body of work would probably have languished in obscurity for all time. Walker’s acknowledgment of the labor of her Black women foremothers in making her own life possible is a major theme throughout her body of work, and nowhere is it clearer than in today’s poem.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
Snow would be the easy way out—that softening sky like a sigh of relief at finally being allowed to yield. No dice. We stack twigs for burning in glistening patches but the rain won’t give.
So we wait, breeding mood, making music of decline. We sit down in the smell of the past and rise in a light that is already leaving. We ache in secret, memorizing
a gloomy line or two of German. When spring comes we promise to act the fool. Pour, rain! Sail, wind, with your cargo of zithers!
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
We’re having a Halloween party at school. I’m dressed up like Dracula. Man, I look cool! I dyed my hair black, and I cut off my bangs. I’m wearing a cape and some fake plastic fangs.
I put on some makeup to paint my face white, like creatures that only come out in the night. My fingernails, too, are all pointed and red. I look like I’m recently back from the dead.
My mom drops me off, and I run into school and suddenly feel like the world’s biggest fool. The other kids stare like I’m some kind of freak— the Halloween party is not till next week.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
go to the movies & see a rom-com by yourself. go to your favorite restaurant & request a table for one. go to a café & order a coffee & a pastry for yourself. lie in the grass & cloudgaze without holding someone else’s hand while you do it. we need to stop seeing these things as pathetic. you are the only person you have to be with every day, so why shouldn’t you find ways to appreciate you?
—keep falling in love with yourself.
Today’s poem is from shine your icy crown by amanda lovelace. She is the author of several bestselling poetry collections, among them the titles in the “women are some kind of magic” series, the “you are your own fairy tale” trilogy, and the “things that h(a)unt” duology. shine your icy crownwas published in January 2021 by Andrews McMeel Publishing and is available to purchase wherever books are sold.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
when we empower ourselves, we inspire others to empower themselves. step up & lead the way for others to follow in your footsteps. encourage them to do better than you were able to, because hope can never be lost as long as the future rests in the hands of our sisters & siblings.
—be the light.
Today’s poem is from shine your icy crown by amanda lovelace. She is the author of several bestselling poetry collections, among them the titles in the “women are some kind of magic” series, the “you are your own fairy tale” trilogy, and the “things that h(a)unt” duology. shine your icy crownwas published in January 2021 by Andrews McMeel Publishing and is available to purchase wherever books are sold.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
sidewalks here brag windchimes and landmines we sent to someone else’s children sometime halfway between home & working to death & the news never showed us any casualties without white faces
our hearts couldn’t make less of a difference— kept coming up zeroes on the scale when nobody bought into the system stacked atop a thousand years of bread while the crows laughed from behind their picket lines & an apocalypse hit—
left us so far backward our sins fell out & we were nothing to god
someday the freight-train grows up & everybody cheers for breakfast like they’re finally getting fed a hung jury or a vomit stain on a factory-stack we were supposed to clean as if it wasn’t already too late to save our planet from ourselves
city lights come out dancing when calamity turns up at the family party & we knew then we’d written enough persona poems for other people’s grief to place the blame on someone else for all the murders
god-machine said none of us were allowed to hear prayer any longer & the saddest part is we got caught with our hands red in a forest of sunflowers
considering the circumstances skyscrapers look too much like dead bodies to be comfortable with stepping out the front door
heroin built a church on our street & everyone showed up to mass wearing shirts that said keep out the liquor stores
just goes to show—being liberal never saved anybody when the factories left
we stuck our heads in closets after we mailed our principles to four years from now & the government called it a write-off when they taxed the poor out of town but we knew better than to ask poor folks to beat us kind
the whole block lit up like a bug-jar in june stapled to the back of a climate crisis when the kids came home drunk again
better late than dead
better dead than prison
everyone’s uncle got parole & we came home when we heard our mothers calling to say the hospital burned a hole in the budget
spent our twenties buying flowers for graveyards
spent our twenties in closets retrieving our heads & nobody clapped when the war ended
you must have heard by now— god came knocking & nobody answered the door
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
How to Not Be Afraid of Everything by Jane Wong (Alice James Books, 2021)
Tenants by Jane Wong
Above: my neighbor's feet, fussing from room to room, velvet hooves tendering my head. Was the fruitcake curdling? Would the mail make it there on time? (it must make it there on time)? Below: I try to light the stove. Little clicks of the tongue, heat and water, my altar. Underground: my grandfather breathes through a silk jacket, a dandelion mane resting between his lips. Here: every living thing is an altar. Sweet worms kiss his knuckles to sleep, loose doorknobs I open: story after story. My family: a spiral staircase, a fish spine picked clean, the snail's miasmic song. 1982: sun gasping through splintering snow, a lemon slice folded in my mother's cup, a generous bulb, a lighthouse across oceans she can not see. 1985: we slept in a split-level attic, squirrels running across the beams. 1964: my grandfather offers my mother one egg. Her brother looks on, fists full of ash. 1967: to make the body dance with sticks and stones to break alone. Within: prison, rose finch feathers float through bars, what he can not talk about. My grandfather sings to me in a ladybug-speckled coffin, the color of good teeth. Above: my grandmother keeps heaps upon heaps of oil containers, poured and repurposed in hunched Fanta plastic. This living can be so quiet sometimes, you can hear the lights humming. Moss slinks into my walls and is painted over, white to mint. I touch the wall, these porous lives, this dense understory. Today: I cut a telescope in two to see everything inside, out: new.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
I think that I shall never see A poem lovely as a tree.
A tree whose hungry mouth is prest Against the earth’s sweet flowing breast;
A tree that looks at God all day, And lifts her leafy arms to pray;
A tree that may in Summer wear A nest of robins in her hair;
Upon whose bosom snow has lain; Who intimately lives with rain.
Poems are made by fools like me, But only God can make a tree.
Today’s poem first appeared in the August 1913 issue of Poetry. It was later collected in Kilmer’s 1914 collection entitled Trees and Other Poems, which is available to purchase wherever books are sold. A free public domain version of the text can be accessed and disseminated without limitations at Project Gutenberg.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
As Kingfishers Catch Fire by Gerard Manley Hopkins
As kingfishers catch fire, dragonflies draw flame; As tumbled over rim in roundy wells Stones ring; like each tucked string tells, each hung bell's Bow swung finds tongue to fling out broad its name; Each mortal thing does one thing and the same: Deals out that being indoors each one dwells; Selves — goes itself; myself it speaks and spells, Crying Whát I dó is me: for that I came.
I say móre: the just man justices; Keeps grace: thát keeps all his goings graces; Acts in God's eye what in God's eye he is — Chríst — for Christ plays in ten thousand places, Lovely in limbs, and lovely in eyes not his To the Father through the features of men's faces.
Today’s poem was taken from Gerard Manley Hopkins: Poems and Prose, which was published by Penguin Classics in 1985 and is available to purchase wherever books are sold.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.