Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
They were women then My mama’s generation Husky of voice—stout of Step With fists as well as Hands How they battered down Doors And ironed Starched white Shirts How they led Armies Headragged generals Across mined Fields Booby-trapped Ditches To discover books Desks A place for us How they knew what we Must know Without knowing a page Of it Themselves.
I first read “Women” as a high school freshman, memorizing and reciting it for extra credit. Later on, it grew in significance for me when I read Their Eyes Were Watching God by Zora Neale Hurston and learned that if not for Alice Walker, Hurston’s great body of work would probably have languished in obscurity for all time. Walker’s acknowledgment of the labor of her Black women foremothers in making her own life possible is a major theme throughout her body of work, and nowhere is it clearer than in today’s poem.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I'll rise.
Does my sassiness upset you? Why are you beset with gloom? ’Cause I walk like I've got oil wells Pumping in my living room.
Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise.
Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops, Weakened by my soulful cries?
Does my haughtiness offend you? Don't you take it awful hard ’Cause I laugh like I've got gold mines Diggin’ in my own backyard.
You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I’ll rise.
Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs?
Out of the huts of history’s shame I rise Up from a past that’s rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear I rise Into a daybreak that’s wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise.
Her singular sonorous voice echoes with the shared promise and potential of humanity, especially those who are downtrodden, maligned, and marginalized.
I love the imagery in this poem. It gives me chills every time I read it, and I can hear Maya Angelou’s voice in my head when I do. Her singular sonorous voice echoes with the shared promise and potential of humanity, especially those who are downtrodden, maligned, and marginalized. Inside also is a reclamation, a refusal to be shaped or cowed by the words and deeds of others. After reading “Still I Rise”, the only appropriate response is amen. Amen amen amen.
Maya Angelou Reciting “Still I Rise”
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
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