You Know Who Wears a Mask to Protect the People He Loves? Batman.

James Baldwin once said that he was “terrified at the moral apathy, the death of the heart” that he witnessed from his own countrymen. Being a Black gay man born in 1924 certainly guaranteed for Baldwin that he would experience a two-pronged prejudice, a hatred of an insidious and endemic sort, a hatred woven into the fabric of the American ideal. This ideal disenfranchises, stigmatizes, ostracizes, redlines, segregates, colonizes, abuses, rapes, and murders all that deviates from it; all that is not lily-white, heterosexual, capitalistic, and Christian is hewn down and cast into the fire. James Baldwin saw the truth, and he also saw his isolation within that truth. I cannot help but imagine that he must have been an incredibly lonely man.

James Baldwin saw the truth, and he also saw his isolation within that truth. I cannot help but imagine that he must have been an incredibly lonely man.

We still have systemic racism and homophobia, but there’s a new beast in town rearing its ugly head to expose our inequalities: COVID-19. The COVID-19 pandemic is now in its third year of ravaging the world. Because we’ve not reached herd immunity, we’ve cycled through two known variants of the disease, Delta and now Omicron. Don’t misread me: I am not comparing social ills to a global pandemic. However, there is a stark similarity between the former and the latter in terms of the lack of care shown to marginalized groups.

Because we’ve not reached herd immunity, we’ve cycled through two known variants of the disease, Delta and now Omicron.

I can’t tell you how many times I’ve heard someone say something along the lines of, “Well, they were elderly, they probably didn’t have long to live anyway.” Or: “They had underlying conditions, so it wasn’t just COVID that killed them.” Or: “I’m not wearing a mask because I’m vaccinated and I’m not high-risk anyway.” These sentiments reach across political and socioeconomic lines. I’ve seen sentiments like these from both Republicans and Democrats, older people and younger people, well-to-do and poor people, etc. The apathy extended toward the immunocompromised, toward the disabled and sick and otherwise vulnerable, is appalling to me. I am disgusted by it. And I cannot condone it. I can’t stay silent about it any longer.

The apathy extended toward the immunocompromised, toward the disabled and sick and otherwise vulnerable, is appalling to me.

I mean, what is it about taking basic precautions that causes people to be so cavalier with not only their own lives but the lives of countless strangers? Wear a mask. Get vaccinated. Practice social distancing. Wash your hands. Are we really, as a society, so heart-deadened as to not be willing to do these simple things? The evidence tells me yes.

Are we really, as a society, so heart-deadened as to not be willing to do these simple things? The evidence tells me yes.

I understand that part of it is the lack of centralized and non-contradictory guidance from public health authorities, yes, but a larger part of it stems from a bootstraps ethos which prioritizes the needs and wants of the self above the common good. There has to be something wrong with a country, with a world, in which the majority of people can’t be bothered to so much as cover their face to protect an unknown stranger from an agonizing death, alone and isolated from their loved ones. Like Baldwin, I am terrified at the moral apathy and the death of the heart I have seen since this pandemic started.

There has to be something wrong with a country, with a world, in which the majority of people can’t be bothered to so much as cover their face to protect an unknown stranger from an agonizing death, alone and isolated from their loved ones.

Those of you who keep up with my blog know that I recently contracted COVID-19. I tested positive on January 15th. I gave it to both of my parents, who live with me and are disabled. We live in a small two-bedroom apartment so infection was a foregone conclusion. I cannot put in words the terror I’ve experienced wondering if I might kill them by proxy. For more than two years now, I have taken every possible precaution. I’m vaccinated (as are both of my parents). I always wear a mask when I’m around people I don’t live with. I sanitize and wash and disinfect. All of that wasn’t enough to protect me because so many other people failed to do their part. So many other people failed to practice a baseline level of care to keep me safe, to keep my family safe. I don’t know if I am capable of forgiving them for that.

All of that wasn’t enough to protect me because so many other people failed to do their part. So many other people failed to practice a baseline level of care to keep me safe, to keep my family safe. I don’t know if I am capable of forgiving them for that.

The old adage says that it takes a village. Usually it refers to child-rearing, but I think it can equally apply to stopping the spread of a deadly disease. In this case, the majority of the other villagers are off enjoying a feast until they’re plucked into the woods and tied to a tree to die like the rest of us. Forgive me my labored metaphor, but if you’ve been with me here for long, you know how I love to labor my metaphors.

In this case, the majority of the other villagers are off enjoying a feast until they’re plucked into the woods and tied to a tree to die like the rest of us.

After writing the preceding paragraph, I left this post in my drafts for several days before I was emotionally capable of returning to it. After writing the preceding sentence, I stopped to watch a couple of films with my mother. You see, I am hesitant to finish a piece with an unhappy conclusion. I feel like a positive quip here would be disingenuous if not rude and unfeeling. Perhaps it is those of us who feel such palpable rage during this time that are the only ones who are truly living in the world as we know it. Everyone else, it would seem, is floating in a dream.

Everyone else, it would seem, is floating in a dream.

I want everyone to do the right thing. I want everyone to perform a series of correct actions which would render the pandemic all but null. But unfortunately, I cannot make people care who do not. I cannot bully someone into having empathy for other people, inconvenient though that fact may be. The only thing I can do is bear witness—stay awake. We owe the dead our consciousness if nothing else.

The only thing I can do is bear witness—stay awake. We owe the dead our consciousness if nothing else.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Quote for the Day: February 11th, 2022

Just Mercy: A Story of Justice and Redemption by Bryan Stevenson

Each of us is more than the worst thing we’ve ever done.

Bryan Stevenson, Just Mercy: A Story of Justice and Redemption

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Quote for the Day: February 10th, 2022

Naked by David Sedaris

I haven’t the slightest idea how to change people, but still I keep a long list of prospective candidates just in case I should ever figure it out.

David Sedaris, Naked

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Quote for the Day: February 9th, 2022

The Light Between Oceans: A Novel by M.L. Stedman

You only have to forgive once. To resent, you have to do it all day, every day.

M.L. Stedman, The Light Between Oceans: A Novel

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

The Nominations Are In

First of all, I’d like to thank the Academy for choosing to reveal this year’s Oscar nominees on my birthday. It was truly a fantastic way to begin the celebrations. Overall, I’d say I’m happy with the choices this year. I was holding my breath when they announced the nominees for Best Actress because I was so afraid Kristen Stewart was going to be snubbed. Thankfully, she pulled out a nomination and who knows? Bella Swan may be walking away with an Oscar come March 27th.

Now I’d like to compare my personal choices in eight major categories with the choices made by the Academy. Without further ado, here they are:

My Choices: Best Picture

  • Belfast
  • CODA
  • Drive My Car
  • Dune
  • King Richard
  • Licorice Pizza
  • The Lost Daughter
  • The Power of the Dog
  • The Tragedy of Macbeth
  • West Side Story

Official Nominations: Best Picture

  • Belfast
  • CODA
  • Don’t Look Up
  • Drive My Car
  • Dune
  • King Richard
  • Licorice Pizza
  • Nightmare Alley
  • The Power of the Dog
  • West Side Story

It looks like the Academy agreed with me on all but two films: The Lost Daughter and The Tragedy of Macbeth. I knew The Lost Daughter was a long shot but I’m really offended about Macbeth. In place of the films I picked, the Academy chose Don’t Look Up and Nightmare Alley. All of the films are worthy of the distinction but there can only be so many nominees.

My Choices: Best Director

  • Paul Thomas Anderson, Licorice Pizza
  • Kenneth Branagh, Belfast
  • Jane Campion, The Power of the Dog
  • Maggie Gyllenhaal, The Lost Daughter
  • Ryûsuke Hamaguchi, Drive My Car

Official Nominations: Best Director

  • Kenneth Branagh, Belfast
  • Ryûsuke Hamaguchi, Drive My Car
  • Paul Thomas Anderson, Licorice Pizza
  • Jane Campion, The Power of the Dog
  • Steven Spielberg, West Side Story

So I overshot on Maggie Gyllenhaal. Sue me. Four out of five isn’t bad.

My Choices: Best Actor

  • Benedict Cumberbatch, The Power of the Dog
  • Peter Dinklage, Cyrano
  • Andrew Garfield, tick, tick… Boom!
  • Will Smith, King Richard
  • Denzel Washington, The Tragedy of Macbeth

Official Nominations: Best Actor

  • Javier Bardem, Being the Ricardos
  • Benedict Cumberbatch, The Power of the Dog
  • Andrew Garfield, tick, tick… Boom!
  • Will Smith, King Richard
  • Denzel Washington, The Tragedy of Macbeth

Switch Dinklage and Bardem and I nailed it. I’m not surprised Bardem secured a nomination given how much the Academy loves movies about show business, but I still remain unimpressed with his performance. I may need to watch Being the Ricardos again and reevaluate my opinion. If I do, you all will be the first to know.

My Choices: Best Supporting Actor

  • Bradley Cooper, Licorice Pizza
  • Ciarán Hinds, Belfast
  • Troy Kotsur, CODA
  • Jesse Plemons, The Power of the Dog
  • Kodi Smit-McPhee, The Power of the Dog

Official Nominations: Best Supporting Actor

  • Ciarán Hinds, Belfast
  • Troy Kotsur, CODA
  • Jesse Plemons, The Power of the Dog
  • J.K. Simmons, Being the Ricardos
  • Kodi Smit-McPhee, The Power of the Dog

I’m not surprised about J.K. Simmons. For one thing, he’s already won the Oscar for Best Actor in a Supporting Role once and the Academy tends to reward industry veterans. Combined with that, he was a very convincing William Frawley. Up until now, the award has all but sat atop Kodi Smit-McPhee’s mantle. Now, it’s anyone’s guess who will walk away with Oscar gold. One thing that’s working against Kodi Smit-McPhee is that his costar Jesse Plemons is competing against him in the same category. Greater odds have been surmounted but now that Simmons is in the ring, we’ll have to wait until the night of the ceremony to see who will win.

My Choices: Best Actress

  • Jessica Chastain, The Eyes of Tammy Faye
  • Olivia Colman, The Lost Daughter
  • Nicole Kidman, Being the Ricardos
  • Frances McDormand, The Tragedy of Macbeth
  • Kristen Stewart, Spencer

Official Nominations: Best Actress

  • Jessica Chastain, The Eyes of Tammy Faye
  • Olivia Colman, The Lost Daughter
  • Penélope Cruz, Parallel Mothers
  • Nicole Kidman, Being the Ricardos
  • Kristen Stewart, Spencer

Frances McDormand is usually a safe bet, but I guess the Academy has decided she’s been recognized enough in the past several years. At any rate and once again, four out of five isn’t bad.

My Choices: Best Supporting Actress

  • Caitríona Balfe, Belfast
  • Jessie Buckley, The Lost Daughter
  • Ariana DeBose, West Side Story
  • Ann Dowd, Mass
  • Kathryn Hunter, The Tragedy of Macbeth

Official Nominations: Best Supporting Actress

  • Jessie Buckley, The Lost Daughter
  • Ariana DeBose, West Side Story
  • Judi Dench, Belfast
  • Kirsten Dunst, The Power of the Dog
  • Aunjanue Ellis, King Richard

I’m the most angry about Kathryn Hunter being snubbed. Did the Academy voters even watch The Tragedy of Macbeth?

My Choices: Best Original Screenplay

  • Belfast
  • Don’t Look Up
  • The French Dispatch of the Liberty, Kansas Evening Sun
  • King Richard
  • Licorice Pizza

Official Nominations: Best Original Screenplay

  • Belfast
  • Don’t Look Up
  • King Richard
  • Licorice Pizza
  • The Worst Person in the World

Four out of five. That appears to be how I’m trending.

My Choices: Best Adapted Screenplay

  • CODA
  • Dune
  • The Lost Daughter
  • The Power of the Dog
  • The Tragedy of Macbeth

Official Nominations: Best Adapted Screenplay

  • CODA
  • Drive My Car
  • Dune
  • The Lost Daughter
  • The Power of the Dog

Well, that’s it. Let me know what you think. Like the rest of you, I’ve got a lot of movies to watch.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Quote for the Day: February 8th, 2022

I Was Told There’d Be Cake: Essays by Sloane Crosley

People are less quick to applaud you as you grow older. Life starts out with everyone clapping when you take a poo and goes downhill from there.

Sloane Crosley, I Was Told There’d Be Cake: Essays

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Going for the Gold(en Man): My Thoughts on This Year’s Oscar Nominations

I hope you’ll forgive me for a while as this blog transforms from The Voracious Bibliophile to The Voracious Cinephile. Although, to be fair, this blog has always had more than its fair share of film-related posts, so forgiveness is probably not needed. At any rate, tomorrow (which is also my BIRTHDAY!) we will find out this year’s Oscar nominees in all 23 categories. The contendahs (Marlon Brando, anyone?) will be announced live starting at 8:18 AM EST by Tracee Ellis Ross and Leslie Jordan. What a delightful birthday present!

The Oscars are a bigger deal for me than Christmas.

The Oscars are a bigger deal for me than Christmas. I make a special punch. I have my own Oscar my father made for me several years ago sitting proudly atop my movie shelf. I buy all the magazines. I read all the articles. I look at the odds much like an itchy gambler at a racetrack. I stalk the Twitter feeds of the hopefuls. I attempt to watch all of the films themselves before the big night but sometimes availability is an issue. For example, I feel like chances are slim I’ll get to see Licorice Pizza before the big night. I am more caught up this year than in most of the past several years, probably because many of the hopeful nominees are streaming natives. There’s been loads of buzz for streaming films this year, a trend which seems to be going nowhere but up. Don’t Look Up, The Lost Daughter, The Power of the Dog, and tick, tick… Boom! all hail from Netflix. Joel Coen’s The Tragedy of Macbeth and CODA are both denizens of Apple TV+. Being the Ricardos is the baby of Amazon Prime Video. As you can see, the field of Oscar hopefuls is simply verdant with streaming darlings.

He [Denzel Washington] somehow takes the Bard’s words and amplifies them from their original context into something even more powerful. He is expressive, multi-layered, and haunting in his portrayal of Macbeth, and the Academy would be remiss to not reward his work with a nomination for Best Actor.

I’m going to start with my strongest opinions and then work my way down. First of all, it will be an absolute tragedy if Joel Coen’s The Tragedy of Macbeth isn’t nominated for Best Picture. It is incredibly difficult to transform such a familiar work of art into something that is both classic and contemporary. Let me just say here that this is some of Denzel Washington’s best work. He somehow takes the Bard’s words and amplifies them from their original context into something even more powerful. He is expressive, multi-layered, and haunting in his portrayal of Macbeth, and the Academy would be remiss to not reward his work with a nomination for Best Actor. Frances McDormand is no slouch as Lady Macbeth, either, and while I wouldn’t be surprised to see her name on the list of nominees for Best Actress, I am much more invested in Denzel.

While the Academy doesn’t always go along with them [the New York Film Critics Circle] in this category, the winners for both awards were the same for three of the past eleven years: Laura Dern for Marriage Story in 2019; Regina King for If Beale Street Could Talk in 2018; and Patricia Arquette for Boyhood in 2014.

Likewise, I will personally send a letter of complaint to the Academy (the disposition of which I will leave up to their discretion) if Kathryn Hunter isn’t nominated for Best Supporting Actress for her roles as the Witches and the Old Man. She is delightfully creepy and otherworldly and I hope the Academy takes notice. In her favor is the fact that she was awarded the New York Film Critics Circle Award for Best Supporting Actress. While the Academy doesn’t always go along with them in this category, the winners for both awards were the same for three of the past eleven years: Laura Dern for Marriage Story in 2019; Regina King for If Beale Street Could Talk in 2018; and Patricia Arquette for Boyhood in 2014. Note: Laura Dern was awarded by the New York Film Critics Circle for her performances in both Little Women and Marriage Story.

Kristen Stewart was considered the front-runner for the longest time for her performance as Princess Diana in Pablo Larraín’s Spencer, but now there is talk that she may not even be nominated.

For me and it seems a lot of other critics and movie lovers, the Best Actress race is the most fraught right now. Kristen Stewart was considered the front-runner for the longest time for her performance as Princess Diana in Pablo Larraín’s Spencer, but now there is talk that she may not even be nominated. Talk about a dramatic turnaround. It’s somewhat annoying for the simple fact that this wouldn’t be Stewart’s first time being snubbed by the Academy. She was the first American actress to win the César Award for Best Supporting Actress for her work in Clouds of Sils Maria, and what did she get from the Academy? Crickets. For the past decade, she’s been churning out stellar performances in films one right after the other. See: Clouds of Sils Maria (2014), mentioned above, Still Alice (2014), Certain Women (2016), Personal Shopper (2016), Seberg (2019), and now Spencer (2021). When will the Academy stand up and take notice? This year should be the year, and shame on them if it’s not.

I don’t know many actresses with the chutzpah to take on Lucille Ball, especially since we have so much of Ball’s own screen work to use for comparison and judgment. Kidman isn’t one to shy away from a challenge, however, and she sinks her teeth into the life and work of the Queen of Comedy with aplomb and panache.

Also on my radar for the Best Actress race are Olivia Colman (The Lost Daughter) and Nicole Kidman (Being the Ricardos). Actually, I was all but certain the award was Stewart’s until I watched Maggie Gyllenhaal’s The Lost Daughter. In my review of the film, which you can read here, I said that Colman (along with Gyllenhaal) had gifted us with “one of the most honest depictions of motherhood ever seen in any medium”, and I stand by that assessment. Kidman is a darker horse. We know from her past work that she is quite adept at playing historical figures and real-life individuals. She won the Academy Award for Best Actress for her portrayal of Virginia Woolf in The Hours (2002). I don’t know many actresses with the chutzpah to take on Lucille Ball, especially since we have so much of Ball’s own screen work to use for comparison and judgment. Kidman isn’t one to shy away from a challenge, however, and she sinks her teeth into the life and work of the Queen of Comedy with aplomb and panache.

A more streamlined script [for Being the Ricardos] could have catapulted Kidman all the way to the stage to accept her second Oscar.

On the other hand, I was not a fan of Sorkin’s script and Javier Bardem’s turn as Desi Arnaz. Both have received mostly positive reviews from critics but I have to diverge from the pack here. Sorkin’s script is clunky and cluttered. A more streamlined script could have catapulted Kidman all the way to the stage to accept her second Oscar. Javier Bardem as Desi Arnaz is not believable at all. I knew I was watching Javier Bardem the whole time. It’s a delicate balance when you’re playing a real-life figure to not veer into caricature, and with Bardem that’s what I felt like I was watching. Not so with Kidman. Because they’re in so many scenes together, naturally, his lackluster performance distracts from hers. I honestly don’t see her winning, but I hope she is at least nominated.

Considering the race for Best Director this year, it is possible (and only right) that there are two women on the ballot: Jane Campion and Maggie Gyllenhaal. Maggie Gyllenhaal displayed an incredible amount of directorial talent with The Lost Daughter, and it’s safe to say that this won’t be the last film where she’s in the director’s chair. But I’m going to have to say that if there is any justice in the world, Jane Campion will take home the Oscar for Best Director for The Power of the Dog. Campion was previously recognized for her 1993 period drama The Piano, for which she was nominated for Best Director and won for Best Original Screenplay.

No matter what happens, I think this is going to be one of the most interesting Oscars we’ve had in a long time. Without further ado, here are my personal picks for the following eight races: Best Picture, Best Director, Best Actor, Best Actress, Best Supporting Actor, Best Supporting Actress, Best Original Screenplay, and Best Adapted Screenplay.

Best Picture

  • Belfast
  • CODA
  • Drive My Car
  • Dune
  • King Richard
  • Licorice Pizza
  • The Lost Daughter
  • The Power of the Dog
  • The Tragedy of Macbeth
  • West Side Story

Best Director

  • Paul Thomas Anderson, Licorice Pizza
  • Kenneth Branagh, Belfast
  • Jane Campion, The Power of the Dog
  • Maggie Gyllenhaal, The Lost Daughter
  • Ryûsuke Hamaguchi, Drive My Car

Best Actor

  • Benedict Cumberbatch, The Power of the Dog
  • Peter Dinklage, Cyrano
  • Andrew Garfield, tick, tick… Boom!
  • Will Smith, King Richard
  • Denzel Washington, The Tragedy of Macbeth

Best Supporting Actor

  • Bradley Cooper, Licorice Pizza
  • Ciarán Hinds, Belfast
  • Troy Kotsur, CODA
  • Jesse Plemons, The Power of the Dog
  • Kodi Smit-McPhee, The Power of the Dog

Best Actress

  • Jessica Chastain, The Eyes of Tammy Faye
  • Olivia Colman, The Lost Daughter
  • Nicole Kidman, Being the Ricardos
  • Frances McDormand, The Tragedy of Macbeth
  • Kristen Stewart, Spencer

Best Supporting Actress

  • Caitríona Balfe, Belfast
  • Jessie Buckley, The Lost Daughter
  • Ariana DeBose, West Side Story
  • Ann Dowd, Mass
  • Kathryn Hunter, The Tragedy of Macbeth

Best Original Screenplay

  • Belfast
  • Don’t Look Up
  • The French Dispatch of the Liberty, Kansas Evening Sun
  • King Richard
  • Licorice Pizza

Best Adapted Screenplay

  • CODA
  • Dune
  • The Lost Daughter
  • The Power of the Dog
  • The Tragedy of Macbeth

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Quote for the Day: February 7th, 2022

Fight Club by Chuck Palahniuk

It’s only after we’ve lost everything that we’re free to do anything.

Chuck Palahniuk, Fight Club

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Quote for the Day: February 6th, 2022

Outliers: The Story of Success by Malcolm Gladwell

Autonomy, complexity, and a connection between effort and reward—are, most people will agree, the three qualities that work has to have if it is to be satisfying.

Malcolm Gladwell, Outliers: The Story of Success

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Quote for the Day: February 5th, 2022

But What If We’re Wrong?: Thinking About the Present As If It Were the Past by Chuck Klosterman

The ultimate failure of the United States…will likely derive from our uncompromising belief in the things we consider unimpeachable and idealized and beautiful.

Chuck Klosterman, But What If We’re Wrong?: Thinking About the Present As If It Were the Past

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.