Poem for the Day: February 13th, 2022

Domestic Violence by Iliana Rocha

Morning dragonflies tricked by the sliding glass
door, scattered on the porch like cigarettes torn in half,
& a horse in watercolor, its joints light blue circles.
Golf carts zoom over the green breasts
of the hills. I slept on my hands,
flat pillows filled with a puzzle of tiny bones. Loneliness’s

gray blanket, last night’s mascara, loneliness—
a dragonfly hovers like spit in slow motion near the glass,
promises to fill the pane with itself like his hand,
my face reflecting back at him. Half
the world is still asleep, my breasts
alive & waking from my shirt. Wind in circles

through grass, horses tip in its direction. Saturated circles,
faces, move the muted TV screen, broadcast more loneliness:
buy this property, try this exercise. A woman with hard breasts
isn’t convincing. When I shift in myself, glass
breaks inside me, a sky losing over half
its stars, desperate dark hands

finding something else to fill it. Like hands,
birds clap their wings in desperation’s applause, circling
as if their species is dying out. My throat, half
gastrolith, half swollen tequila, it’s not loneliness
we flying things try to avoid, but in glass
a painful logic, one you learn like the breast’s.

A rainbow interrupts the white cloud breasts,
like mine, where once his hands
lived, then destroyed. My breath against silence’s smooth glass,
longing for the wisdom of a tree’s hollow, sex circle,
how it endures loneliness
by invitations to other survivors of this world from half

its violence, all its love.

© 2021 Iliana Rocha. Today’s poem was taken from the April 2021 issue of Poetry.

Iliana Rocha earned her Ph.D. in Literature and Creative Writing from Western Michigan University. She is currently an Assistant Professor at the University of Tennessee, Knoxville. Her debut collection of poetry, Karankawa, won the 2014 Donald Hall Prize in Poetry. You can read more about Iliana Rocha and her work on her website.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Quote for the Day: February 13th, 2022

On the Road: 50th Anniversary Edition by Jack Kerouac

[…]the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes ‘Aww!’

Jack Kerouac, On the Road: 50th Anniversary Edition

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

120 Nominations. 23 Categories. 53 Films. One Big Night.

Did I really go through all of the nominations for this year’s Oscars to figure out which films received the most nominations? I did. This year, 53 different films have been recognized by the Academy of Motion Picture Arts and Sciences for their cinematic excellence.

One question I ponder quite often when it comes to film is, “What separates a good film from a great film? A great film from an epic film?”

One question I ponder quite often when it comes to film is, “What separates a good film from a great film? A great film from an epic film?” Some of it boils down to personal taste, yes, but most cinephiles (yours truly included) would argue there are certain elements which comprise any film worth its stock, pun very much intended. The first and most important of these elements is cohesiveness. All the parts of a film must work in conjunction with one another to tell a certain story. You can have a great script but it’s worthless if you have mediocre actors reciting lines from it. You can have GOATs like Meryl Streep acting in your movie but if your script is subpar, no amount of Streeping will save it.

For me, a great film is a film where everything is not only in balance but complementary. There’s subtlety, nuance, and most important of all—craft.

For me, a great film is a film where everything is not only in balance but complementary. There’s subtlety, nuance, and most important of all—craft. A great actor can make you experience several different emotions in the same scene. A great set can transport you back through time. A great cinematographer can transcend time and space to make you see things in ways you’ve never seen them before. A score, crafted just so to ebb and flow within a film’s narrative, can emphasize elements that might otherwise have gone unnoticed.

An epic film not only has all of the elements of a great film, but a certain je ne sais quoi that elevates it above the pack, that makes it timeless. An epic film is larger than life even when the story it’s telling is small in scope.

And an epic film? An epic film not only has all of the elements of a great film, but a certain je ne sais quoi that elevates it above the pack, that makes it timeless. An epic film is larger than life even when the story it’s telling is small in scope. It has a universality that makes it resonate with people from all walks of life, from all places and all times. When I think of epic films, I think of The Godfather. The Wizard of Oz. Gone with the Wind. Sunset Boulevard. Titanic. All of these have elements working in conjunction with one another, and all have not a small amount of magic cooked in for good measure. They quite possibly will outlast time, and rightfully so.

See below for a list of all the films nominated for an Academy Award this year. The number in parentheses beside each film indicates how many nominations it has received this Oscars season.

  • The Power of the Dog (12)
  • Dune (10)
  • Belfast (7)
  • West Side Story (7)
  • King Richard (6)
  • Don’t Look Up (4)
  • Drive My Car (4)
  • Nightmare Alley (4)
  • Being the Ricardos (3)
  • CODA (3)
  • Encanto (3)
  • Flee (3)
  • Licorice Pizza (3)
  • The Lost Daughter (3)
  • No Time to Die (3)
  • The Tragedy of Macbeth (3)
  • Cruella (2)
  • The Eyes of Tammy Faye (2)
  • Parallel Mothers (2)
  • tick, tick…Boom! (2)
  • The Worst Person in the World (2)
  • Affairs of the Art (1)
  • Ala Kachuu – Take and Run (1)
  • Ascension (1)
  • Attica (1)
  • Audible (1)
  • Bestia (1)
  • Boxballet (1)
  • Coming 2 America (1)
  • Cyrano (1)
  • The Dress (1)
  • Four Good Days (1)
  • Free Guy (1)
  • The Hand of God (1)
  • House of Gucci (1)
  • Lead Me Home (1)
  • The Long Goodbye (1)
  • Luca (1)
  • Lunana: A Yak in the Classroom (1)
  • The Mitchells vs. the Machines (1)
  • On My Mind (1)
  • Please Hold (1)
  • The Queen of Basketball (1)
  • Raya and the Last Dragon (1)
  • Robin Robin (1)
  • Shang-Chi and the Legend of the Ten Rings (1)
  • Spencer (1)
  • Spider-Man: No Way Home (1)
  • Summer of Soul (…Or, When the Revolution Could Not Be Televised) (1)
  • Three Songs for Benazir (1)
  • When We Were Bullies (1)
  • The Windshield Wiper (1)
  • Writing with Fire (1)

The 94th Academy Awards ceremony will take place at the Dolby Theatre in Hollywood, Los Angeles, California, on March 27th, 2022.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Quote for the Day: February 12th, 2022

The Road to Character by David Brooks

Recovering from suffering is not like recovering from a disease. Many people don’t come out healed; they come out different.

David Brooks, The Road to Character

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

You Know Who Wears a Mask to Protect the People He Loves? Batman.

James Baldwin once said that he was “terrified at the moral apathy, the death of the heart” that he witnessed from his own countrymen. Being a Black gay man born in 1924 certainly guaranteed for Baldwin that he would experience a two-pronged prejudice, a hatred of an insidious and endemic sort, a hatred woven into the fabric of the American ideal. This ideal disenfranchises, stigmatizes, ostracizes, redlines, segregates, colonizes, abuses, rapes, and murders all that deviates from it; all that is not lily-white, heterosexual, capitalistic, and Christian is hewn down and cast into the fire. James Baldwin saw the truth, and he also saw his isolation within that truth. I cannot help but imagine that he must have been an incredibly lonely man.

James Baldwin saw the truth, and he also saw his isolation within that truth. I cannot help but imagine that he must have been an incredibly lonely man.

We still have systemic racism and homophobia, but there’s a new beast in town rearing its ugly head to expose our inequalities: COVID-19. The COVID-19 pandemic is now in its third year of ravaging the world. Because we’ve not reached herd immunity, we’ve cycled through two known variants of the disease, Delta and now Omicron. Don’t misread me: I am not comparing social ills to a global pandemic. However, there is a stark similarity between the former and the latter in terms of the lack of care shown to marginalized groups.

Because we’ve not reached herd immunity, we’ve cycled through two known variants of the disease, Delta and now Omicron.

I can’t tell you how many times I’ve heard someone say something along the lines of, “Well, they were elderly, they probably didn’t have long to live anyway.” Or: “They had underlying conditions, so it wasn’t just COVID that killed them.” Or: “I’m not wearing a mask because I’m vaccinated and I’m not high-risk anyway.” These sentiments reach across political and socioeconomic lines. I’ve seen sentiments like these from both Republicans and Democrats, older people and younger people, well-to-do and poor people, etc. The apathy extended toward the immunocompromised, toward the disabled and sick and otherwise vulnerable, is appalling to me. I am disgusted by it. And I cannot condone it. I can’t stay silent about it any longer.

The apathy extended toward the immunocompromised, toward the disabled and sick and otherwise vulnerable, is appalling to me.

I mean, what is it about taking basic precautions that causes people to be so cavalier with not only their own lives but the lives of countless strangers? Wear a mask. Get vaccinated. Practice social distancing. Wash your hands. Are we really, as a society, so heart-deadened as to not be willing to do these simple things? The evidence tells me yes.

Are we really, as a society, so heart-deadened as to not be willing to do these simple things? The evidence tells me yes.

I understand that part of it is the lack of centralized and non-contradictory guidance from public health authorities, yes, but a larger part of it stems from a bootstraps ethos which prioritizes the needs and wants of the self above the common good. There has to be something wrong with a country, with a world, in which the majority of people can’t be bothered to so much as cover their face to protect an unknown stranger from an agonizing death, alone and isolated from their loved ones. Like Baldwin, I am terrified at the moral apathy and the death of the heart I have seen since this pandemic started.

There has to be something wrong with a country, with a world, in which the majority of people can’t be bothered to so much as cover their face to protect an unknown stranger from an agonizing death, alone and isolated from their loved ones.

Those of you who keep up with my blog know that I recently contracted COVID-19. I tested positive on January 15th. I gave it to both of my parents, who live with me and are disabled. We live in a small two-bedroom apartment so infection was a foregone conclusion. I cannot put in words the terror I’ve experienced wondering if I might kill them by proxy. For more than two years now, I have taken every possible precaution. I’m vaccinated (as are both of my parents). I always wear a mask when I’m around people I don’t live with. I sanitize and wash and disinfect. All of that wasn’t enough to protect me because so many other people failed to do their part. So many other people failed to practice a baseline level of care to keep me safe, to keep my family safe. I don’t know if I am capable of forgiving them for that.

All of that wasn’t enough to protect me because so many other people failed to do their part. So many other people failed to practice a baseline level of care to keep me safe, to keep my family safe. I don’t know if I am capable of forgiving them for that.

The old adage says that it takes a village. Usually it refers to child-rearing, but I think it can equally apply to stopping the spread of a deadly disease. In this case, the majority of the other villagers are off enjoying a feast until they’re plucked into the woods and tied to a tree to die like the rest of us. Forgive me my labored metaphor, but if you’ve been with me here for long, you know how I love to labor my metaphors.

In this case, the majority of the other villagers are off enjoying a feast until they’re plucked into the woods and tied to a tree to die like the rest of us.

After writing the preceding paragraph, I left this post in my drafts for several days before I was emotionally capable of returning to it. After writing the preceding sentence, I stopped to watch a couple of films with my mother. You see, I am hesitant to finish a piece with an unhappy conclusion. I feel like a positive quip here would be disingenuous if not rude and unfeeling. Perhaps it is those of us who feel such palpable rage during this time that are the only ones who are truly living in the world as we know it. Everyone else, it would seem, is floating in a dream.

Everyone else, it would seem, is floating in a dream.

I want everyone to do the right thing. I want everyone to perform a series of correct actions which would render the pandemic all but null. But unfortunately, I cannot make people care who do not. I cannot bully someone into having empathy for other people, inconvenient though that fact may be. The only thing I can do is bear witness—stay awake. We owe the dead our consciousness if nothing else.

The only thing I can do is bear witness—stay awake. We owe the dead our consciousness if nothing else.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Quote for the Day: February 11th, 2022

Just Mercy: A Story of Justice and Redemption by Bryan Stevenson

Each of us is more than the worst thing we’ve ever done.

Bryan Stevenson, Just Mercy: A Story of Justice and Redemption

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Quote for the Day: February 10th, 2022

Naked by David Sedaris

I haven’t the slightest idea how to change people, but still I keep a long list of prospective candidates just in case I should ever figure it out.

David Sedaris, Naked

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Quote for the Day: February 9th, 2022

The Light Between Oceans: A Novel by M.L. Stedman

You only have to forgive once. To resent, you have to do it all day, every day.

M.L. Stedman, The Light Between Oceans: A Novel

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

The Nominations Are In

First of all, I’d like to thank the Academy for choosing to reveal this year’s Oscar nominees on my birthday. It was truly a fantastic way to begin the celebrations. Overall, I’d say I’m happy with the choices this year. I was holding my breath when they announced the nominees for Best Actress because I was so afraid Kristen Stewart was going to be snubbed. Thankfully, she pulled out a nomination and who knows? Bella Swan may be walking away with an Oscar come March 27th.

Now I’d like to compare my personal choices in eight major categories with the choices made by the Academy. Without further ado, here they are:

My Choices: Best Picture

  • Belfast
  • CODA
  • Drive My Car
  • Dune
  • King Richard
  • Licorice Pizza
  • The Lost Daughter
  • The Power of the Dog
  • The Tragedy of Macbeth
  • West Side Story

Official Nominations: Best Picture

  • Belfast
  • CODA
  • Don’t Look Up
  • Drive My Car
  • Dune
  • King Richard
  • Licorice Pizza
  • Nightmare Alley
  • The Power of the Dog
  • West Side Story

It looks like the Academy agreed with me on all but two films: The Lost Daughter and The Tragedy of Macbeth. I knew The Lost Daughter was a long shot but I’m really offended about Macbeth. In place of the films I picked, the Academy chose Don’t Look Up and Nightmare Alley. All of the films are worthy of the distinction but there can only be so many nominees.

My Choices: Best Director

  • Paul Thomas Anderson, Licorice Pizza
  • Kenneth Branagh, Belfast
  • Jane Campion, The Power of the Dog
  • Maggie Gyllenhaal, The Lost Daughter
  • Ryûsuke Hamaguchi, Drive My Car

Official Nominations: Best Director

  • Kenneth Branagh, Belfast
  • Ryûsuke Hamaguchi, Drive My Car
  • Paul Thomas Anderson, Licorice Pizza
  • Jane Campion, The Power of the Dog
  • Steven Spielberg, West Side Story

So I overshot on Maggie Gyllenhaal. Sue me. Four out of five isn’t bad.

My Choices: Best Actor

  • Benedict Cumberbatch, The Power of the Dog
  • Peter Dinklage, Cyrano
  • Andrew Garfield, tick, tick… Boom!
  • Will Smith, King Richard
  • Denzel Washington, The Tragedy of Macbeth

Official Nominations: Best Actor

  • Javier Bardem, Being the Ricardos
  • Benedict Cumberbatch, The Power of the Dog
  • Andrew Garfield, tick, tick… Boom!
  • Will Smith, King Richard
  • Denzel Washington, The Tragedy of Macbeth

Switch Dinklage and Bardem and I nailed it. I’m not surprised Bardem secured a nomination given how much the Academy loves movies about show business, but I still remain unimpressed with his performance. I may need to watch Being the Ricardos again and reevaluate my opinion. If I do, you all will be the first to know.

My Choices: Best Supporting Actor

  • Bradley Cooper, Licorice Pizza
  • Ciarán Hinds, Belfast
  • Troy Kotsur, CODA
  • Jesse Plemons, The Power of the Dog
  • Kodi Smit-McPhee, The Power of the Dog

Official Nominations: Best Supporting Actor

  • Ciarán Hinds, Belfast
  • Troy Kotsur, CODA
  • Jesse Plemons, The Power of the Dog
  • J.K. Simmons, Being the Ricardos
  • Kodi Smit-McPhee, The Power of the Dog

I’m not surprised about J.K. Simmons. For one thing, he’s already won the Oscar for Best Actor in a Supporting Role once and the Academy tends to reward industry veterans. Combined with that, he was a very convincing William Frawley. Up until now, the award has all but sat atop Kodi Smit-McPhee’s mantle. Now, it’s anyone’s guess who will walk away with Oscar gold. One thing that’s working against Kodi Smit-McPhee is that his costar Jesse Plemons is competing against him in the same category. Greater odds have been surmounted but now that Simmons is in the ring, we’ll have to wait until the night of the ceremony to see who will win.

My Choices: Best Actress

  • Jessica Chastain, The Eyes of Tammy Faye
  • Olivia Colman, The Lost Daughter
  • Nicole Kidman, Being the Ricardos
  • Frances McDormand, The Tragedy of Macbeth
  • Kristen Stewart, Spencer

Official Nominations: Best Actress

  • Jessica Chastain, The Eyes of Tammy Faye
  • Olivia Colman, The Lost Daughter
  • Penélope Cruz, Parallel Mothers
  • Nicole Kidman, Being the Ricardos
  • Kristen Stewart, Spencer

Frances McDormand is usually a safe bet, but I guess the Academy has decided she’s been recognized enough in the past several years. At any rate and once again, four out of five isn’t bad.

My Choices: Best Supporting Actress

  • Caitríona Balfe, Belfast
  • Jessie Buckley, The Lost Daughter
  • Ariana DeBose, West Side Story
  • Ann Dowd, Mass
  • Kathryn Hunter, The Tragedy of Macbeth

Official Nominations: Best Supporting Actress

  • Jessie Buckley, The Lost Daughter
  • Ariana DeBose, West Side Story
  • Judi Dench, Belfast
  • Kirsten Dunst, The Power of the Dog
  • Aunjanue Ellis, King Richard

I’m the most angry about Kathryn Hunter being snubbed. Did the Academy voters even watch The Tragedy of Macbeth?

My Choices: Best Original Screenplay

  • Belfast
  • Don’t Look Up
  • The French Dispatch of the Liberty, Kansas Evening Sun
  • King Richard
  • Licorice Pizza

Official Nominations: Best Original Screenplay

  • Belfast
  • Don’t Look Up
  • King Richard
  • Licorice Pizza
  • The Worst Person in the World

Four out of five. That appears to be how I’m trending.

My Choices: Best Adapted Screenplay

  • CODA
  • Dune
  • The Lost Daughter
  • The Power of the Dog
  • The Tragedy of Macbeth

Official Nominations: Best Adapted Screenplay

  • CODA
  • Drive My Car
  • Dune
  • The Lost Daughter
  • The Power of the Dog

Well, that’s it. Let me know what you think. Like the rest of you, I’ve got a lot of movies to watch.

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.

Quote for the Day: February 8th, 2022

I Was Told There’d Be Cake: Essays by Sloane Crosley

People are less quick to applaud you as you grow older. Life starts out with everyone clapping when you take a poo and goes downhill from there.

Sloane Crosley, I Was Told There’d Be Cake: Essays

Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.