I’ve put a lot of pressure on myself to make my blog really good which is why I’ve fallen into the pitfall of not posting often because I haven’t felt like I could provide quality content. Then I see other creators churning out whatever happens to be on their mind and people seem to love it. So moving forward, that’s what I’m going to do. I’m going to blog freely and openly and not be as self-conscious about what makes it onto the page.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
How have you adapted to the changes brought on by the Covid-19 pandemic?
For most of the world, COVID is a distant memory. A bad one, with recollections of mobile morgues on wheels, lockdowns, and mask mandates in all public places.
This is an interesting prompt, to be sure. For most of the world, COVID is a distant memory. A bad one, with recollections of mobile morgues on wheels, lockdowns, and mask mandates in all public places. The urge to “return to normal”, spurred on by the restless cog in the machine of capitalism, was too strong for most to resist. Governments, local, state, and federal (I’m speaking in the context of the United States, which is the only context I feel comfortable speaking in), at the urging of powerful business interests, were quick to drop even the most rudimentary of precautions.
The normalcy bias spread faster than even COVID-19 itself, for people don’t like to confront or accept changes to the established design, especially not for extended periods of time.
The normalcy bias spread faster than even COVID-19 itself, for people don’t like to confront or accept changes to the established design, especially not for extended periods of time. But here’s the harsh truth: Nothing will ever be the same. Most people have not made the connection between the return (resurgence?) of illnesses like tuberculosis and measles and the immune dysregulation that can result from just one COVID infection, let alone multiple infections. Almost everyone I know is sick now multiple times a year, often multiple times a month. And this constant illness has been normalized. People think it’s totally normal now for their kids to have COVID, RSV, flu, and colds right back-to-back. Someone I know in my own family has three elementary school age children who had all four of the above mentioned in January and February of this year alone.
Almost everyone I know is sick now multiple times a year, often multiple times a month. And this constant illness has been normalized.
I personally have only been sick one time with a communicable disease caused by airborne pathogens since 2020. In 2022, I became sick with COVID and proceeded to have an onslaught of new medical conditions in the aftermath of the initial infection. Asthma, which I never had before. High blood pressure, which I had never had before. In fact, prior to my COVID infection, my blood pressure always stayed within 5 points of normal. After COVID, my blood pressure got so high that I was in danger of having a stroke. A lot of people, in fact I would venture to guess that the majority of people, don’t know that COVID is a vascular disease. It’s also oncogenic, meaning that it can cause people who get it to develop various cancers later down the road. It’s not just a cold. It’s a BSL (Biosafety Level) 3 pathogen, which means that it is classified, along with tuberculosis, Yellow fever virus, and others, as a microorganism capable of causing serious and potentially lethal disease in human beings.
After COVID, my blood pressure got so high that I was in danger of having a stroke.
So what have I done to avoid becoming sick? Masking. N95 masks don’t fit the shape of my face well, so even though those are among the best particulate respirators, I wear KN95 masks whenever I’m in public settings. I work in the public, and as a bookseller, not in the medical field, so this means I am masked almost all of the time. I also use antiviral nose sprays and CPC mouthwashes.
Now, I’m not perfect. For almost four years, I went largely without dining indoors or socializing any at all. I did it to keep myself and my family safe, to keep from becoming further disabled by another infection. I can’t tell you the mental toll it takes or that it took being the only person willing to do something as simple as covering my face for that long, and I’m still doing it most of the time. I occasionally eat out with friends now, in lower risk situations where it’s not as busy and I’m fairly certain they’ve not been exposed to any airborne illnesses.
Some people might judge me for that, and that’s okay. I know that with the world we live in now, every time I go unmasked in a public place is a risk I’m taking. I hate that I have to frame it that way. I hate that to people who gave up any and all precautions years ago, I’m seen as hysterical and a hypochondriac. I hate that to people who haven’t taken any risks at all, who have remained completely steadfast in their anti-infection controls, I am seen as a hypocrite and a coward for making the decision to occasionally go unmasked now. As a pathological people pleaser, there’s no way for me to win. And that’s okay.
For my part, I’m going to continue to mask 99% of the time, but I’m going to try not to judge myself for that 1% when I don’t. I’m going to continue using antiviral nose sprays and CPC mouthwashes when I do have possible exposures. When at all possible, I’m going to avoid large indoor gatherings even when I am masked because one-way masking, while it has been effective for me, is not completely foolproof if there’s a high enough viral load in the air.
The life we had prior to 2020 isn’t coming back, and if some people would mask at least some of the time, at the very least in healthcare settings and in grocery stores, I believe we would see far fewer people being constantly sick. What I guess I’m saying is we need more participation from the general public, because the number of people who are still taking COVID seriously are fewer and fewer as time goes on. It would also help if businesses and governments would commit resources to cleaner indoor air, with next-generation filtration and ventilation systems that would reduce the amount of respiratory droplets and pathogens in the air.
Your health is a precious thing, and so much more fragile than people realize.
Everything we do or don’t do has consequences, and I can only hope that my efforts have made a difference. I know they have in my own life, because no one in my household has had a viral infection of any kind, at least to my knowledge, in more than three years. Your health is a precious thing, and so much more fragile than people realize. Take care of yourselves. You only get one life.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
It’s been a long time since I’ve posted on my blog. I apologize. Life has been lifing, for lack of a better way to put it. I’ve also been wrestling with what I want this blog to look like because I’m in the middle of redefining what my life is going to look like. Post-election, seeing the worst-case scenario play out before my very eyes, moving forward I want to be very intentional about ensuring that I’m caring for my mental health and taking time to process and really being very specific about my boundaries.
All of that said, I have connected with a great group of people on BookTok. I joined a book club, we’ve been reading When the Moon Hatched by Sarah A. Parker (which if you haven’t already read it, it is god-tier fantasy), and they’ve really become family to me in such a short period of time. I’ve been posting a lot more on there and growing my following, making friendships and building community, and it’s been really good for me.
Moving forward, I’d really like to use this blog as a hybrid for original content but also as a way to amplify the content I create specifically for that platform. Thank you so much for being on this journey with me and for sticking around so long.
Here’s a video of my recent Dollar Tree book haul. Enjoy!
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
A Lady Without Passportwas the Noir Alley selection on TCM for September 14th. For those of you who are unfamiliar with Noir Alley, it is my favorite programming block on TCM (Turner Classic Movies) and it showcases films in the film noir genre. While I’ll fallen off from time to time due to work and school commitments, I’ve been a devout viewer and fan from the beginning. Eddie Muller, the host, is one of my favorite people. His encyclopedic knowledge of film noir as well as his verbose intros and outros, make him an excellent host.
I can’t exactly blame him [Lewis] for bilking the King Brothers for a chance at making a film with the bright lights, big-budget “Tiffany” studio MGM, but there’s something to be said about less money, more creative control, and the way tighter purse strings spur innovation.
One of the best things about Eddie is his straight-shooter, no-nonsense analyses. When something doesn’t quite land or is, to be frank, hot garbage with interesting window dressing, he says so. I’ve taken a few days to digest A Lady Without Passport and to be honest, it’s shocking to the system that this is the film Joseph H. Lewis made directly after Gun Crazy. I can’t exactly blame him for bilking the King Brothers for a chance at making a film with the bright lights, big-budget “Tiffany” studio MGM, but there’s something to be said about less money, more creative control, and the way tighter purse strings spur innovation.
Mostly, I’d say that I concur with what The New York Times had to say about the film*:
Romance is slightly more important than reason in this number and while the scenery, meaning Havana and Florida, is authentic and picturesque, the goings-on are as intriguing as those in any garden variety melodrama. The ring of connivers who are dedicated to smuggling aliens into this country get their come-uppance but it hardly seems worth all the effort.
I’m not disappointed I watched the movie, not least of all because John Hodiak was exceedingly handsome in the picture, but I don’t really think it bears repeat viewing either.
I’m not disappointed I watched the movie, not least of all because John Hodiak was exceedingly handsome in the picture, but I don’t really think it bears repeat viewing either. If you’re looking for a good John H. Lewis film to watch, Gun Crazyis a much better choice (and it does bear repeat viewing).
*The quote was taken froma review in The New York Times titled “Hedy Lamarr as ‘Lady Without Passport’” (linked here).
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
To Have and Have Notwas a landmark film for several reasons, not least of all because it introduced Lauren Bacall to the world and became the backdrop for the beginning of one of Hollywood’s most famous marriages. In fact, I’d say the only Hollywood love affair that topped it would have to be Liz and Dick, but that’s not really a fair comparison. To Have and Have Not is based loosely on the 1937 novel of the same name by Ernest Hemingway. Hemingway was friends with Howard Hawks, the director of the film, and it was during a fishing trip they took together that Hawks told Hemingway he could make a great movie out of Hemingway’s worst novel, which in his estimation was To Have and Have Not.
Whether or not he was successful in his quest is not really up for debate, because anyone that sees the film can’t easily forget it. From the time that Lauren Bacall first explodes onto the screen asking if anyone has a match to her infamous line about whistling (watch the scene with the line here), every frame is a delight.
Garfield’s tortured desperation is more fitting and far more interesting than Bogart’s stalwart stoicism.
I say that even though To Have and Have Notisn’t even my favorite adaptation of Hemingway’s novel. The Breaking Point (1950), directed by Michael Curtiz of Casablancafame and starring John Garfield (in his penultimate role), Patricia Neal, and Phyllis Thaxter, is the far superior film. I know this statement is sure to arouse a lot of strong feelings in some, and I welcome the discourse. It is only my opinion, but I stand by it wholeheartedly. Garfield’s tortured desperation is more fitting and far more interesting than Bogart’s stalwart stoicism. And while Bacall is truly a revelation in this her first film role, her performance has nothing on Phyllis Thaxter’s pleading anguish when trying to convince Harry (Garfield) to reverse course.
It would be really easy to turn a character like that into a stereotype or a caricature, but Brennan is far too capable to let that happen.
Perhaps one of my favorite parts from the film, aside from Bogie and Bacall, of course, is Walter Brennan’s performance as Eddie. Brennan’s Eddie is really a tragic character, but not an obviously tragic one. His alcoholism makes him vulnerable and is also probably one of the driving forces behind Morgan’s (Bogart’s) de facto adoption of him. He’s the kind of person you want to protect but that is seemingly helpless in the face of their own demons. It would be really easy to turn a character like that into a stereotype or a caricature, but Brennan is far too capable to let that happen.
If you’ve seen the film or are inspired to watch it after reading this post, let me know and we can talk about it.
Production Stills
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
She was the kind of person you’d only want to serve your good wine to, because anything less than the best would’ve been an insult.
Although she is no longer with us, yesterday would have been Lauren Bacall’s 100th birthday. She is TCM’s Star of the Month, and they’ve been showcasing some of her best and most iconic performances on Monday nights in September.
Yesterday, they showed the four films she starred in with her first leading man and later husband, Humphrey Bogart: To Have and Have Not (1944) (which was also her film debut), The Big Sleep (1946), Dark Passage (1947), and Key Largo (1948).
I’ve seen Dark Passage twice and Key Largo years ago, but until last night I’d never managed to catch To Have and Have Not and The Big Sleep when they were on. The funny thing about that is I own them both on DVD, but it’s a lot more fun to watch them when they air on TCM (especially if there’s an intro and outro from one of the hosts, who I consider my own personal friends even though I’ve never spoken to any of them).
The thing I love most about Lauren Bacall, aside from her effortless acting ability, is how elegant she was. She classed up a room just by walking into it. She was the kind of person you’d only want to serve your good wine to, because anything less than the best would’ve been an insult.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
For cinephiles everywhere, The Criterion Collectionrepresents the best that cinema has to offer. From the Silent Era to the Golden Age of Hollywood and beyond, The Criterion Collectionselects only films that are groundbreaking, feature powerhouse performances, are technically astute, and/or have otherwise had a significant impact on the culture at large. According to their Mission, Criterion “has maintained its pioneering commitment to presenting each film as its maker would want it seen, in state-of-the-art restorations with special features designed to encourage repeated watching and deepen the viewer’s appreciation of the art of film.” (Full Mission available here)
One of the regular features on Criterion’s website is its Top 10 Lists, wherein filmmakers, musicians, writers, and other artists share their favorite films available in Criterion Collection editions. Along those lines, I thought it would be cool if I shared my (current) personal Top 10 with everyone who reads this blog. I am not going to present them in a ranked order because picking a favorite film is like trying to pick a favorite potato dish and that’s just not possible.
It seems appropriate to highlight Purple Noonfirst, not just because it’s a terrific film, but because Alain Delon, the star of the film, just recently passed on August 18th at the age of 88. He was one of the greatest French actors to ever grace the screen. An argument can be made that he be given the superlative title of The Greatest French Actor of All Time. He had a charisma and a vitality that are rarely seen and when they are, they are rarely accompanied by the level of talent he displayed in front of a camera.
He [Alain Delon] had a charisma and a vitality that are rarely seen and when they are, they are rarely accompanied by the level of talent he displayed in front of a camera.
Purple Noonis adapted from The Talented Mr. Ripley, the first book in the Ripley series by Patricia Highsmith. The book has been adapted several times, first as an episode of the U.S. television anthology series Studio One, then the French/Italian co-production of Purple Noon, and so on. I won’t go into details on any of the other adaptations, not least of all because I haven’t seen them (yet).
The most gripping aspect of Purple Noon, aside from Delon’s sheer animal magnetism, is the lush and saturated cinematography. The colors in this film are breathtaking, and no one watching it could call it anything but beautiful. If they could, don’t trust them. You don’t want friends with that kind of taste, or lack thereof.
The most gripping aspect of Purple Noon, aside from Delon’s sheer animal magnetism, is the lush and saturated cinematography. The colors in this film are breathtaking, and no one watching it could call it anything but beautiful.
The Criterion Collection edition of Purple Noonis the newest (as of this writing) digital restoration of the film, with an uncompressed monaural soundtrack. All of the extras included add to the viewer’s appreciation of the film, but I particularly enjoyed the archival interviews with Alain Delon and Patricia Highsmith, who in addition to The Talented Mr. Ripleyis also the author of Carol (or The Price of Salt) and Strangers on a Train, which both also boast excellent cinematic adaptations.
Check back soon for the rest of my Top 10 Criterion Collection picks!
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
Album cover for Taylor Swift’s 11th studio album, The Tortured Poets Department
It’s been a long time coming…
But we finally get to hear The Tortured Poets Department, Taylor Swift’s highly anticipated 11th studio album, which she announced the night she won the Grammy for Album of the Year for Midnights earlier this year.
Everyone knows I’m a massive Swiftie. I was fortunate enough to see Miss Americana on her record-breaking Eras Tour in both Nashville and Cincinnati (VIP floor seats for Nashville, lower bowl for Cincinnati), and they were two of the most transformative experiences of my life so far.
That said, I already own like 16 copies of this album that I’ve not even heard a teaser of (I am writing this on March 23rd, 2024) because you know I had to buy every single variant: The Manuscript, The Bolter, The Albatross, and The Black Dog. And each of them came in vinyl, CD, and cassette formats. So, I’ve spent roughly $300 or more on this album and I am not anywhere near approaching rich. I’m paycheck to paycheck, so this album had better deliver. But I know it will. I’m afraid it might dethrone folklore as my favorite Swift album.
My first clue that that might be the case was the song titles, of course. I mean, “Clara Bow”? As in, THE Clara Bow, the silent film siren who successfully transitioned into talkies in the late 20s. The woman who Taylor has been subtly Easter-egging into different pieces of content? Honey, I’m a child of TCM and I am ready for this album. I saw a lot of people on Twitter (ain’t no such thing as X) already claiming what they think their favorite songs will be, so I was and am obliged to do the same. “Clara Bow” belongs to me.
I will post reactions to my first listen-through ASAP, I promise you.
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
Free for use under the Pixabay Content License. Image Credit: CDD20
Life isn’t about finding yourself. Life is about creating yourself.
George Bernard Shaw, Irish playwright
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.
Free for use under the Pixabay Content License. Image Credit: CDD20
I am enough of an artist to draw freely upon my imagination. Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world.
Albert Einstein, German-born physicist and recipient of the 1921 Nobel Prize in Physics
Thanks as always for being a faithful reader of The Voracious Bibliophile. If you like what you see, please like, comment, follow, and subscribe to my email list to get notified of new posts as soon as they drop. You can also email me at fred.slusher@thevoraciousbibliophile.com or catch me on Twitter, Instagram, TikTok, and Pinterest @voraciousbiblog. Keep reading the world, one page (or pixel) at a time.